Kodak has its fingers in many pies now, film is something like 8% of their annual revenue if I remember right. They’re not hurting for cash. They’re very much diversified now, not unlike Fuji, with a lot of high volume industrial customers in high growth industries using their services. Even if we do have another recession they’ll probably be fine.I'm not sure I'd hold my breath waiting. It's a miracle that the company is still in business at all. If another 2008 were to come along some day, I believe that would finish it for good. In just the 25 years of this century, that company has withstood a constant barrage of circumstances that have been the doom of MANY America companies. 4x5 is a thicker base than 35mm. And 120 is still yet a third film base. And I have a suspicion that the 4x5 base is the hardest one to set up machinery on. And for much shorter production runs, at that. Imagine having the job as an accountant for Kodak or Alaris, or whoever they are. They're probably already pinching every penny as thin a bible paper to keep in business. 4x5 Ektachrome would logically be the first one to drop from production. I sure hope I'm wrong.
They have stated publicly that PET extrusion is something that they do for a variety of customers, though they don’t specify how many they serve or who they make it for.Eastman is terrific at PET extrusion, I wouldn't be surprised if they supply others. But it still is a very fragile business to coat and confection sheet film. The current Ektachrome is as good as it's ever been.
As far as film bases, everything that isn’t Acitate movie film is now PET, which they can very easily tweak the thickness of. 0.1mm, 0.13mm, 0.17mm, all made on the same machine. Again, it’s a “put ingredients in, get rolls of PET out” type of thing. And both of these lines are used for other things besides film so if they break they’ll get fixed, it’s not like they’re just used to make film.
AFAIK, none of the black and white film is on Estar base.
AFAIK, none of the black and white film is on Estar base.
I think they do coat it somewhat regularly. Or if they don’t, they make massive runs of it. I recall in one of Destin’s videos at Kodak, he was shown a room with several dozen master rolls, and was told that it was all Ektachrome.I would be surprised if Kodak coats Ektachrome more than once a year. The cost to the consumer is mind blowing. With processing its like a dollar a frame.
Fuji still sells Provia in both 4x5 and 8x10. It’s as hard to get as 35mm and 120, which is to say: in stock every couple months and sold out within a few hours. But, it’s not discontinued. IIRC, they still sell Velvia 100 in sheet film, but Velvia 100 is banned in the US. Velvia 50 is 35mm and 120 only now.I recall the upheaval following Fuji-san pulling the plug on 4x5 a few years back, and I suspect things are not going to be too rosy with Kodak's offerings going forward.
Fuji still sells Provia in both 4x5 and 8x10. It’s as hard to get as 35mm and 120, which is to say: in stock every couple months and sold out within a few hours. But, it’s not discontinued. IIRC, they still sell Velvia 100 in sheet film, but Velvia 100 is banned in the US. Velvia 50 is 35mm and 120 only now.
I would be surprised if Kodak coats Ektachrome more than once a year. The cost to the consumer is mind blowing. With processing its like a dollar a frame.
The situation might be different in Australia, but it is not discontinued in the US. I bought 2 fresh boxes of it a few weeks ago from B&H.Provia 100F is listed as (and has been for a while) discontinued in 4x5. I think these prices are outrageous. Likely around 6-7 years ago I bought 20 sheets for $93.
I saw an email from someone at Kodak that I thought said that they had moved all stills films to PET at the end of 2024, but I could be mistaken. I will have to see if I can find it.
I’m still looking for it, although I’m thinking now that it might have been sent in a community that I have since left and can’t access anymore. If I find it I’ll let you know.It would be very cool if you could provide that email.
The understanding is that all still colour negative film in 135 and 120 is now on PET. There has been no (that I'm aware of) information that Ektachrome 135 was transitioned to PET base, too. It would be very odd since that would mean that they have to do two different coatings for cine and still Ektachrome on 135 thickness base.
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