chiller said:Firstly I love efke and this is not a knocking post.
I have just had a very unusual problem arise. All of a sudden my Efke negatives are as flat as flat. No contrast.
Developers use to test -- D76 -- Rodinal -- HC110
All negatives returned the same or similar density from each developer.
Light meters -- all returned the same readings. Gossen, Minolta and Soligor spot.
Thermometer == all three the same reading as they always have.
Timer [x2] both the same.
Anything I have missed?
Or has anyone had similar with a sudden change of contrast in the middle of a box? Film has been stored correctly.
Steve
Donald Miller said:Check the emulsion number on the box and get with whomever sold you the film. I had an instance a couple of months ago where some film other then Efke 100 (it tested as 25 ISO) made it into a Efke100 box. The negatives were underexposed and flat.
This was 4X5 film. In my case, John at JandC provided his usual fine service and replaced the film.
haris said:Last time when I bought 2 rolls of EFKE 35mm film (100 ISO), about year ago, under EFKE sticker on canisters were originally Lucky film stickers...
So did you really bought EFKE film when bought box of film on which is written EFKE. How do you know what film Fotokemika packed in EFKE box
Nothing surprized me anymore when EFKE or Fotokemika is in question...
EFKE is good film by my experience, but when you use EFKE film. I mean, if on packadging box or canister wrote EFKE, that doesnt meant you really use EFKE film.
david b said:Just another reason to support Ilford. Their film is THEIR film, not repackaged. The stuff is well tested and QC is top notch.
I've never had an issue with them.
Not mentioned is whether any filter was used. Since the Efke films are "panorthochromatic" they have limited red sensitivity so using a red or dark orange filter will result in a substancial loss of film speed. These are good films but require some familiarization on the part of the user.chiller said:Anything I have missed?
Steve
Gerald Koch said:Not mentioned is whether any filter was used. Since the Efke films are "panorthochromatic" they have limited red sensitivity so using a red or dark orange filter will result in a substancial loss of film speed. These are good films but require some familiarization on the part of the user.
Okay, just going off on a sidetrack;Gerald Koch said:Since the Efke films are "panorthochromatic" they have limited red sensitivity so using a red or dark orange filter will result in a substancial loss of film speed.
Changeling1 said:Yet one more example of why Kodak's film division should be nationalized!
You're right!; but unfortunately this is the term that was coined for an orthochromatic film with some red sensitivity. Of course, orthochromatic is not a very good term either. It means "correct" color rendition which it does not really have, merely having only better rendition than color blind materials that are only sensitive to blue light.Jerevan said:Okay, just going off on a sidetrack;
I know orthocromatic film is sensitive to only blue and green light and panchromatic film is sensitive to all of the visible spectrum. The term "panorthochromatic" sounds thus like an excellent oxymoron!
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