I'd use a panchromatic film with an orange or red filter...that is if the sky you are shooting is blue. IR is very dramatic and often unpredictable.
This being said, the Rollei is IMHO one of the most outstanding films made today, even if you don't take advantage of its IR sensitivity. It is very sharp, very punchy, and very responsive to filtration. It is perhaps the most versatile film made, the way I see it.
The only problems I have with it are the price, and that I can't seem to find it any larger than 4x5 format. (If anyone knows where I can get it in 5x7, I will buy a gross of it.) I can't justify using it as my go to film at that price, and a lot of what I would want to use it for would be shot with a 5x7 camera.
A #25 or #29 red filter will not give you much of an IR film look with any of the remaining IR emulsions, as it did with HIE.
Be sure to use your IR focusing mark on your lens to focus if you are using opaque filtration. 120 and 4x5 need not be loaded into the camera in complete darkness, but this is recommended for 35mm.
As for the two films versus each other, think pushed, grainy Tri-X or HP5 versus T-Max 400. Efke is the former, Rollei is the latter. Efke has a wonkier curve, less sharpness, and more grain. Rollei is straighter in curve shape, much sharper, and much less grainy.