What do experienced darkroom printers think about this product and what are the positive and negative (no pun) viewpoint that you have to share about its use and other, "remedies" for fine scratches on film?
If you have other favorite materials and methods, please share with us your choices.
I used it for years with good results... not sure how if affects the longevity of the negative, if at all. Contains turpentine IIRC. One old instructor suggested nose oil...lol
Yes, I did find it messy when I used it and nose oil is what most photographers I've know have used/suggested, but, like many things photographic, both nose oil and the Edwal product both are very old remidies that it seems no one has bothered to replace or upgrade.
Yes, I did find it messy when I used it and nose oil is what most photographers I've know have used/suggested, but, like many things photographic, both nose oil and the Edwal product both are very old remidies that it seems no one has bothered to replace or upgrade.
Now if you have a diffusion enlarger you might not need it at all. The way I know scratches are invisible is that one way to retouch clear spots on negatives is to scratch the base a little. I do that hen when I print nothing appears (I still get black spots on the print)
The idea behind that Edwal product was to yield a temporally scratch removal, just for a printing session.
A alternative once Tetenal offerred: a laquer into which the respective filmstrip was to be dipped. This was intented as lasting remedy. But if I remember right Tetenal hinted at a solvent by which that lacquer could be dissolved again without harming the film.
I dropped a 5x7 negative of the State Governor on a concrete floor many years ago, it was to be printed 500 times ( rc prints ) for his re-election campaign. To quote my mentor "never the nose, always behind the ear!" you couldn't even tell it had been on the floor.
At a Howard Bond worshop he showed us how to apply nose oil to a scratched neg. I look after my negs so have only had to do it a couple of times in a long career.
I’ve used it and I think I still have some in the cabinet. It works as advertised. Use an open negative carrier and clean up with film cleaner after printing.
An alternative might be the spray used for wet mounting negs and transparencies in a drum scanner, but I haven’t tried it. Seems like a potentially better alternative with a glass neg carrier if it doesn’t create bubbles.