Edgeprint for long roll and 35mm films from Kodak which would read something like "Eastman Safety Film", prior to the introduction of computer and LED systems, were applied with a bulb system that had two to three settings for power. Thus, as film speeds increased, edgeprint density would vary depending on the selection of the setting used (one of the settings had to be super strong for the Color Print theater film with an ASA of about 1.5-2) so the densities for film codes from ASA 32 up to 1000 would vary greatly.
Frame marking edgeprint for 135, sheet film, and 120 was better controlled in the early days as each product's stenciling pattern / identification was made onto a belt of graphic arts film and the light passing through was filtered to achieve a consistent density, the filters being different for each film speed.
With the introduction of LED and laser printing, more exact densities have been achieved, so in the past twenty to thirty years, densities should be much more consistent across the film codes.