Easy to handle MF macro solution?

Antje

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Hi all,

My dad's birthday is looming, and I really don't know what to do with him this year. Usually, it's totally simple, he gets something he really wants for his camera, and gives the complete ID and tells us where to get it (love him for that). But this year... It's not only one of the big birthdays, but... Well, I gave my mom something very flat and shiny to make photos with for her birthday, and she's become very very good at photography. Better than my dad, at least at macros. Ouch. Now he wants something nice for macro photography, and it should be MF. Not like he doesn't already have a zoo of cameras at home, but, well, they all have different purposes (you all know what I'm talking about, I'm sure).

Now, owning a Hasselblad and having a spare body, I was thinking about giving that to him and getting him a 80 mm lens and some tubes, but I found that working with tubes is just not for him. So I'm searching for a solution that doesn't exceed our combined budget of $500-700. It should focus down to life size on its own, and I'd be thrilled if it had metering, too. It doesn't have to have interchangeable backs, AF, or anything fancy. TLRs are out too, I'm sure. Mamiya M645, maybe?

If anyone could help me brainstorm, I'd highly appreciate it!

Thanks,

Antje
 
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Nick Zentena

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Why doesn't he like tubes? Without them you need a "macro" lens which will cost more and I'm not sure they'll reach 1:1 without tubes. You can mount the tube and leave it on if this is a macro only setup.

Pentax 645, a long enough lens plus a tube or two. I think that would fit below your budget. TTL metering plus TTL flash if you want to add the Metz module. If he could live with manual aperture he could get the Kiev 60 tubes and lenses but I don't think with todays prices this will save any money.

If you want built in metering I think the Pentax 645 is the lowest cost option. For comparison the Bronica ETRSI metering prism often costs more then the complete Pentax 645 body,insert and normal lens.
 

Dan Fromm

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Antje,

You've defined yourself into infeasibility.

The cheap macro lens for 'blad, the 120/5.6, won't focus close enough. Ihr vater is averse to tubes. So much for 'blad.

Mamiya 645 has a focal plane shutter, i.e., too slow max shutter speed with flash. Also its 80 macro won't go to 1:1 on its own mount and your father is averse to tubes. So much for Mamiya 645.

Same goes for Pentax 67.

But and however the Bronica ETR/ETRS/ETRSI has a 105/4.5 that is in leaf shutter and goes to 1:1 on its own mount. Cheap, too, especially in Euros, at www.keh.com Just remember, 645 isn't that much larger than 35 mm.

Good luck, have fun,

Dan
 

DrPablo

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The tubes are so easy, though, and the 80mm lens is perfect for 1:1 and larger than life macros.

People like the RB67 for macros if you can handle the size / portability issue.

Another possibility is to get him a 4x5 view camera with at least ~450mm of bellows extension, and a 210mm or 150mm lens. I don't think anything is better than 4x5 for macro -- unless your main subject is moving, i.e. insects.
 

Nick Zentena

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Dan Fromm said:
But and however the Bronica ETR/ETRS/ETRSI has a 105/4.5 that is in leaf shutter and goes to 1:1 on its own mount. Cheap, too, especially in Euros, at www.keh.com Just remember, 645 isn't that much larger than 35 mm.

Good luck, have fun,

Dan
Click to expand...

The cheap ETR 105mm isn't the macro. Checking KEH right now the macro 105mm starts at over $300. That's most of the budget. Still need to add a camera body,back and finder. Plus shipping. Still no metering.

Does the older 100mm macro make 1:1 without tubes?
 

Peter Williams

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DrPablo said:
Another possibility is to get him a 4x5 view camera with at least ~450mm of bellows extension, and a 210mm or 150mm lens. I don't think anything is better than 4x5 for macro -- unless your main subject is moving, i.e. insects.
Click to expand...

If your father is so inclined, I think this is a great approach as well. I bought a Toyo 45CX on closeout for $300 and you can easily find a used 150mm lens for under $200. That would leave enough of your budget for lens board, film holders, etc. If you absolutely have to have a roll film camera, the RB/RZ cameras are probably closest to what you want. Bellows focusing, whether MF or LF, is really great for macro. Good luck.

Peter
 

keithwms

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Yup any bellows-focusing camera like the RB or a 4x5 will work well. I have done some macro with a Nikkor 120 AMED on an old crown graphic, using a closeup diopter. Fun combination and very light and easy to take into the field. The RB is much heavier but for macro that is somehting that you quickly learn to love: stability! Also the nice thing about the RB is that you can use a metering prism so then you can just forget the bellows factor calculations.

Let me also suggest that a good diopter on the hassie may be a very simple solution. Especially if you are stopped down to f/22 or more then there is little (if any) performance penalty.
 

Dan Fromm

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Uh, Nick, I said 105/4.5. And $300 from $700 leaves a bit for body, finder, and back.
 

Nick Zentena

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How fast is the old non-macro 105mm?

Considering the cost of the AEIII finder $700 ends up covering the macro PE lens and the finder.
 
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Antje

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Excellent suggestions, guys! Hmmm... Just called our not-quite-local photostore, and they'd sell a Mamiya 120 macro KEH would probably rate as BGN for approximately $200. I could add a M645 from KEH for 300-400... I admit I have absolutely no clue regarding that system. He used to have one, that I know. And it still might leave a little room for small extras.
I have enough time to get something for him when I'm in the US next time, so I'm not in a hurry and could shop around a little. That's why I need you guys' input so badly.

Antje
 

Dan Fromm

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Antje, if you have time and aren't planning a nice surprise that would be spoiled by discussing it with him, why don't you talk things over with your father and then buy gear that will suit him and fit your budget? I mean, there's a world of difference between shooting closeup with a press or view camera and doing the same with a nice convenient SLR. And if he thinks that using an extension tube or two on an SLR is too much, surely he'll hate using a press or view camera.

Cheers,

Dan
 
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Antje

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Dan, you see, that's what we *usually* do. Didn't work this time, he expects the big surprise and is just dropping hints. :rolleyes: It's all because of my mom's sudden display of talent.

He actually owns a Canon 20D with a macro lens. But it has to be film and, I think, MF. He's also a little envious of my Hassy. And to admit it: I selfishly loved the 4x5 comment because I've been thinking about that for myself.

Antje
 

Jon Shiu

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Hi, the Mamiya 120mm macro is a great lens. I have one on a Mamiya 645E and works great and focuses to 1:1. I like the 645E body especially for the adjustable diopter viewfinder.

Jon
 

Bandicoot

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Antje said:
He actually owns a Canon 20D with a macro lens. But it has to be film and, I think, MF. He's also a little envious of my Hassy. And to admit it: I selfishly loved the 4x5 comment because I've been thinking about that for myself.
Click to expand...

4x5 is nice for macro, but the tiny DoF, the cost of film, and the bulk of the gear all mean it may not be the best place to start on a quest to make better macros than one's spouse...

I really like using 6x9 monorails for macro. This is taking a similar approach to working with the larger format, but with a bit more DoF, much lower film costs, and rather more portability. You still have the benefit of a huge choice of lenses, movements, etc.

Just a thought,


Peter
 
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Antje

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Bandicoot said:
4x5 is nice for macro, but the tiny DoF, the cost of film, and the bulk of the gear all mean it may not be the best place to start on a quest to make better macros than one's spouse...
Click to expand...

Yeah, but it might be an area I could expand into myself. And maybe it's something my dad wouldn't want to, well, borrow. But on the other hand, I'm quite happy with the Hasselblad and tubes at the moment.


Monorails - I think I might have an idea what that is in German, but I'm not quite sure. Do you happen to have a picture? Sorry for my total ignorance.

Antje
 

MattKing

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Antje:

Does your father have any MF cameras already? If so, we might be able to recommend something compatible with what he already has.

For example, if he owns Mamiya TLR equipment (paricularly a 330), he already has a camera that does macro quite well, and only needs a paramender accessory to make it reasonably easy.

Matt
 

DrPablo

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I see your arguments, but the DOF on 4x5 really isn't bad for macros, and there is so much precision focusing it on that big ground glass.

I've tried it with 8x10 as well, and that's more of a problem; in part because you really do have to stop down a lot and you get into reciprocity problems.
 

Bandicoot

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Antje said:
Ah, OK, got it - something like the Arca Swiss F! That is probably going to be over the budget, but wow, looks really sweet.
Click to expand...

I have a modern type Arca M, but for much of my work I use the old 'pre-M, pre-F' models. These are just as beautifully made, light and rigid, and currently a bargain on the used market. Apart frm the format frames and the bellows most parts are interchangeable between the old and new types, or can be made so with very little work. A used 'old style' Arca 6x9 is a very nice macro camera.


Well, I did say that I liked 4x5 for macro, and I do do it, and 10x8 too. But for the OP's purposes, I wouldn't recommend it as the place to start. I wasn't saying 4x5 is bad for macro - quite the opposite - but responding specifically to the OP's question, to which I think there are better answers.


Peter
 

Dan Fromm

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Um, Antje, if your father wants convenience a field or view camera is not for him. I do closeup and macro (above 1:1) work with Nikons and Speed Graphics.

Until I figure out a convenient way to set up the Graphics for use with focus frames (and make the frames too), they're totally useless for moving subjects. And fairly slow to set up for subjects that hold still.

I continue to use the Graphics closeup even though they're slower-working and harder to use than the Nikons because they give better results. I don't use them to get higher magnification (larger image of the main subject) than is easy with the Nikons but to get more of the scene in the frame at the magnification I'd use with a Nikon.

Oh, yeah, I usually shoot with flash. Its essential when shooting hand-held to stop movement (even when the subject is a rock, I move), very helpful for stopping subject movement when shooting from from tripod. Wind is dangerous.

In MF, this limits you to using lenses with leaf shutters. No MF camera's focal plane shutter syncs with flash at a usefully high shutter speed. Do the thought experiment (ISO 100 film, 1/30 shutter speed, broad daylight) and you'll see why.

Cheers,

Dan
 
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Antje

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Dan, I totally agree - I shoot macro mostly with my Canon and a Canon MP-E. And some with my Hassy and some tubes. I wouldn't get my dad a view camera (that's a side project that came out of this thread that I am interested in myself). He used to own a Mamiya 645 (don't know which model), but apparently traded it in for a Pentax some time ago. But that one spends more time at the repair shop than in his photo bag.

Tough choices. In any case, I picked up that poor Mamiya 120 macro for under $200 I found. Looks clean so far. Maybe I'll just get a body for that and see how it handles. My husband is fearing the worst - Antje venturing into yet another camera system.

Antje
 

elekm

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Another possibility is the Rolleiflex SL66. The lens racks out pretty far for 1:2 reproduction, and you can easily reverse the lens (without adapters) for 2:1 reproduction.

In all, it's a nice camera for close-up work. My only suggestion would be to use the camera on a sturdy tripod, as it's a hefty camera.

Plus, there are a decent selection of Carl Zeiss lenses for the SL66.

Here's my brief writeup on the SL66.
 
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