Hi, we're in a similar position.
Shooting E-6 exclusively since about 2009 and in 2016 I picked up Ilford Reversal, but a week ago had some inspiring results with Cinestill CS6 with D9 1+2 for extended highlight latitude and warm tone. The acquired latitude with expired Sensia 100 blew me away and 2x Provia 100F is waiting for this 3-bath process to have fun with this simplified 3 bath process again...
That said, have only 3-4 works printed. A quick and dirty A3 print on a Kodak paper at a lab, absolutely nothing fancy. Got them by taking individual frame (avoid this if possible, hard to scan) or by sending a tiff I scanned and Lightroomed to a lab and this is the only viable way I can acquire prints from my slides I guess.
When it comes to wider audiences - you'll have to think on terms of performance I guess. Take a tray of your best slides (don't drag your audience), your projector and announce a projection event or join one!
Depending on your local film communities, there might be a path already available to you at some places - 8/16mm people usually are great and have projection equipment/premises.
I'm very bad at marketing and anything commercial, but still - a dozen usually comes to a poorly announced projection evenings.
Years ago we made some combo events - slides with pauses of poetry on topic in-between. At an abandoned fallout shelter, at bars and cafe's...
In Tallin, for example, there's an annual projection festival where people project their pics, their 8 and 16mm movies and make their performances with 2+ simultaneous projections with "analog" transition/blending - impressively interesting shit can be achieved this way.
Did participate there once, and people liked my BW slides - something that wasn't seen often, as mostly poorly done E-6 gets projected (a reflection of reality).