Len mounting plate? Which lamp system? How dense are the negatives? What size of print are you doing? How long are the typical exposures. Ambient temperature? Any motors, dryers, washing machines, air coditioners cycling? Is the floor solid? Is the paper held down? Is the floor solid? Is the paper held down?
I'm using a 80mm f/5,6 EL Nikkor at f/11 in a Lapla 39. I exchanged plates and couldn't see any effect at all. I enlarge to 9x12".
The head is a CLS 450.
Exposure times are in the 60 second range when not split grade printing. The negatives print without any problems in terms of tonal reproduction, they show good but not excessiv contrast and density. Due to the lack of a densidometer I can't take any measurements.
Ambient temperature is 19°C, varies about 1° during the day. Humidity is around 40%. There were no electrical devices running besides a Durst Sanat and a small router.
The floor is very solid, it's the basement made of more than 1 meter concrete and steel.
Paper flatness is very good, I used an electro-static easel at maximum power for testing.
Since the "normal" 4x5' negative stage wasn't supplied I have to use the smaller Bimaboxes and a Bimaneg carrier.
It sounds to me more like the negative "popped" from the heat of the lamp. If so you should try to tape the negative to the holder. Strech it out and tape the sides.
I tried many different negatives and a glass carrier, everything looks the same.
How is the enlarger mounted? To a baseboard, to the wall? I have an L1200 and a Versalab. I also have the manual to the L1200, I am running it with the Multigraph head. It is not that tough to un-align the L1200. But its also easy to re-align one.
How can I be of assistance to you?
It's mounted to the original Durst baseboard. The desk it stands on isn't the best on earth but reasonably solid.
Do you know if it's possible for the zero detents of the Scheimpflug controls to become misaligned?
Is the entire area of the print soft, or is some line across the print OK?
When the lower left corner is in focus, the right one goes noticable softer. There's also a drop in sharpness from bottom to top too but not that much. It seems to have tilted forwards/left since this edge is the nearest one to the negative. I haven't touched the Scheimpflug controls for several weeks when I played around with wall projection.