- Joined
- May 28, 2005
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billschwab said:Neil,
I have an old burke and james film drying cabinet that works like a charm. I set the heat to a nice low warm, close the door for 5-10 minutes and all come out nice, flat and dry.
Bill
Dave, It is a metal cabinet about 6.5' x 3' x 3' with a fan and coil system in the top. On the very top are slots for the replaceable air filter, underneath are baffles to stop direct air from blowing on the negatives hanging below. Underneath the rubber sealed door on the front is an exit vent for the air drawn-in at the top. Inside are rows of hangar brackets at several heights and stainless steel rods that I can adjust among them. On these rods hang my clips, etc. It is very simple, yet extremely useful. Not much problem with dust these days. You can see it way off to the left (there was a url link here which no longer exists) in the darkroom portraits page.Dave Wooten said:Bill I have not seen one of these film drying cabinets.....what is the set up, i.e. heat coil and fan or like a commercial rotary bread toaster?
Yes, when it is completely dry - flat enough to contact print. After printing and washing, I go the normal drying route and final flatten with a dry mount press. I love the look of that Edwards Engineering stuff too.Dave Wooten said:so you hang them by clips and they dry flat? I 'm going to have to give it a go....
Neil Poulsen said:What do people do to properly dry sheets of freshly coated Pt/Pd paper? In his workshop, Dan Burkholder used a hair dryer to get the drying process started. He indicated that one can use the hair dryer too much or too little. He tries for a "satin" look to the paper, and then he stops using the hair dryer. Thereafter, let the paper dry.
I'm looking for an approach that's as consistent as possible, sheet to sheet over time. As a "hair dryer", I've been using the small ceramic heater that keeps my darkroom warm. It gives a nice volume of hot air over a large area. (Kind of like some of our politicians.)
I want to use some form of drying like this, if it makes a difference. But, I'm struck by the degree of variability this could introduce to the process. Or, is there a different way to achieve the same effect, yet avoid a potential source of variability?
Kerik said:Some papers need more "sit" time before you apply heat or air, some need to be dried soon after they are coated so the sensitizer doesn't sink in too far. As you gain more experience, you will be able to know when your paper is dry enough simply by feel. Good luck!
Neil Poulsen said:Eric,
It sounds like your primary control is the amount of time you let the paper sit prior to placing it in the dryer. Or, do you find that you can leave it in the dryer too long?
How long do you let it sit for Crane's patinotype, the offwhite variety? Bergger Cott 320?
What's the placement of your pancake fan within the dryer and with respect to the heater?
Placing the thermostat inside the heater is a good idea. In building my warming bath, I found a thermostat at a Jacuzzi repair shop that controls to just over 110 degrees, and which connects to 120 volt circuits. I could use this device to moderate the heating, plugging the heater into a plug connected to this thermostat. It's adjustable. I think this thermostat was just under $30.
Why did you pick 60% r.h.? (Just curious.) I'm wondering if I can find something that's not too expensive that will maintain a particular relative humidity in my small darkroom? I've been looking for some kind of r.h. meter that I can put on the wall, but haven't found one. Or, have a humidifying chamber of some sort.
Do you use any kind of a filter? My ceramic heater has a filter on the back. I wonder if this would be enough.
Thanks for your response. I don't think this kind of heater would be that difficult to build. I'm a master, when it comes to particle board! Heavy, but it does the job.
Neil
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