Dear all,
I have a complex photography where the main subject it's underexposed. I found the correct exposure for it to appear clear enough but I have to burn around its contour.
Reading the book Master Printing Course by Tim Rudman, he suggests to use an acetate mask, where I can outline the required area with a fine-point pen suitable for the acetate mask. After I have to paint the marked area with photo-opaque paint, and to adoperate this mask when print the photo.
Would this technique create the same problem as when we try to dodge a cut card? I mean to be visible small part in white on the print.
Potential issues:
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Solution
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Thank you.
Thank you so much confirming this kind of technic. I will put attention and care into it.these masks do ork but the process takes care and time. The results are rewarding however.
I used it successfully but I admit, the iPhone is only worth it for the occasional very good print.Thank you so much confirming this kind of technic. I will put attention and care into it.
You must be using magic papers. Count yourself lucky.Try burning grade 0 only. In most cases this hardly has any impact on the surrouding arreas.
You must be using magic papers. Count yourself lucky.
Sorry, didn’t want to upset anyone, just tried to guide the man to something that might work.That was pretty funny - and I was thinking almost the same thing. Perhaps the surrounding areas are already black?
Split grade printing can't do what a dodging mask can do. Burning at grade 0 my help even out the transitions, though. The transitions are always what looks wonky.
Sorry, didn’t want to upset anyone, just tried to guide the man to something that might work.
Maybe try it sometime
This works well. I usually have the most success if the print is smaller than the print in the easel. Then I position the dodging print/card in the light colums, and move it up and down in the light.It is easy to cut a dodging card with precision. Just use a print. Easy peasy.
It is easy to cut a dodging card with precision. Just use a print. Easy peasy.
My preferred method of dodging areas like in the example is to tape a piece of frosted mylar over the neg holder and then use a pencil to add density where the dodging needs to occur. You'll never get a sharp line and the image stays looking natural since you are only holding back some of the light. I don't recall ever trying it with a condenser enlarger so if you use one your mileage may vary as they say.
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