Filters. Eh heh. I fell for this too, in the 1980s when I bought heavily into Nikons. Got them all. Nikkors. Top dollar ones.
Now and then I've used a yellow. Also an orange. Maybe once, a red. The rest lie at rest in their nice plastic cases, pristinely new, unused. A small fortune in glass.
In all my time in photography, every pro shooter I've ever met used (and still uses) clear UVs. So I bought Nikkor UVs. Every lens I own has one.
And that's all. Nowadays it can all be added in post processing.
Odd, this. They do what they do well, but we can get by just as well without.
So what I'm saying is, get UVs, but for the rest, save your money.
Tough to do with a slide projector.....
Almost no one bores people to death with slides. Those that shoot film, shoot negative films.
Almost no one bores people to death with slides. Those that shoot film, shoot negative films.
The problem is you can't recover later if you have blown out the sky, especially if shooting color chromes.
... But when Aunt Maude gave a 3 hr slide show of her vacation to the Muffler Shop Hall of Fame in Fresno, well, that was a long snooze.
Like everything else, there are good quality slide shows, poor quality slide shows and a wide range between.
It really helps if the slide show is put together by an interesting person, who has interesting thoughts and does interesting things and/or visits interesting places.
And of course, takes good photos.
For many years, Fred Herzog used to rent places like church halls in order to show his 35mm Kodachrome slides. And a lot of people looked forward to seeing them.
Unfortunately, I only heard about them after the fact.
I haven't seen any difference between a cheap filter and an expensive one.
Heck, I remember full gymnasium slide shows that people paid to attend. We didn't have any movie theaters in the mountains, or TV yet. Those plagues came later,
and you had to cross a deep river canyon to the next county to see a once-a-week movie. My Dad had his own moving film projector; so that's how we did it in the living room. But the big public slide show screens needed pretty hot projectors that probably weren't all that good for the longevity of the slide dyes. Going back a lot further, I've heard old-timers describing aligned 3-projector carbon arc slide shows using RGB in-camera separation negatives. Allegedly best color ever, but in a downright hot room, and slow between sequential images, with some fried fingers if the operator wasn't awfully careful.
I haven't seen any difference between a cheap filter and an expensive one. Some of the more expensive filters are almost impossible to clean and keep cleaned.
My post 41 linked test which included Tiffen, which was the worst result of that test series.
I once destroyed a Tiffen that acted like a prism when it was rotated around, rather than foist it upon an innocent buyer. BTW, while I like Hoya SHMC line, I also know that Hoya offers a line of double-coated filters (Hoya's blue box series) which are in the same class as Tiffen, and they are avoided as well.
Too bad that Hoya totally revamped its lineup and no longer distinguish SHMC, HMC, blue box. Their 'digital' filters were no better than HMC coatings, and now they provide a chart which shows 4 lines of filter coatings, 32, 18, 10 or 6 coating for UV filters, but 16, 18, 10 or zero coatings for CPL, so it is impossible to know coatings simply from the name of the line of filters...HD3 line UV has 32, while HD3 line CPL has only 16 coatings.
I really doubt that filters get 32 coats. I mean, lenses get only a coat or two.
I dont understand Tiffen. Great marketing, they always seem to be present... and all their filters are uncoated. Like, who even buys that?
Lens manufacturers have claim 'single coat' or 'double coat' or 'multicoated' for many decades. Now even eyewear lenses can have multicoatings...seven different types of coating are offered!
I dont understand Tiffen. Great marketing, they always seem to be present... and all their filters are uncoated. Like, who even buys that?
Historically Tiffen has provided filters to the professional cinema market for an extremely long time...and carried over to TV shooting as well.
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Yes, it’s their marketing pitch... but the name of the game is coating.
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