I was talking to the guy who works at the film lab I go to, and he claimed that film has better dynamic range than digital. Something to do with the overexposure latitude that film has. Is he mistaken with his terminology or is he correct? Which has better dynamic range?
I was talking to the guy who works at the film lab I go to, and he claimed that film has better dynamic range than digital. Something to do with the overexposure latitude that film has. Is he mistaken with his terminology or is he correct? Which has better dynamic range?
... he claimed that film has better dynamic range than digital. Something to do with the overexposure latitude that film has. Is he mistaken with his terminology or is he correct?
Film has more dynamic range.
With film dynamic range means the difference between Dminand Dmax.Hi, I think his terminology is not quite right; I think that "dynamic range" might only be a proper term for digital photography. With film I generally use the term "luminance recording range." (Am I wrong? Anybody?)
With film dynamic range means the difference between Dminand Dmax.
A film with a really high dynamic range may have a very limited exposure range.
Latitude is the sum of play for a standardized subject brightness range within the exposure range.
as much as pre-flashing chrome or CN film or a sheet of paper, "hypering" film or making a alternative process print using 3 different ( or more ) negatives.HDR is a crutch that digital photographers use to make up for present deficiencies
I too do not understand the relation between film dynamic range and its relation with exposure latitude that agx expressed. What film would have a low latitude and high dynamic range?
Like a crutch, it’s just another tool. Back in the 90’s when I worked on interior shots, the amount of filling of dark shadows and goboing of highlights was a challenge to get the light to fit on film. With HDR, it’s much simpler and allows photographers more control.In a word yes. Film has more dynamic range. HDR is a crutch that digital photographers use to make up for present deficiencies. If something moves in the field of view, it is game over without major recreating the scene.
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