When a location descends into cliché, exploit the cliché.
At the same time, when one has redwood state and national parks within an hour's drive both north and south, it is rather nice having a place to go to away from one's actual home on a irregular basis. There is a particular creek I have been photographing up and down since the late 70s. It is sort of my backyard, but someone else does the maintenance. I have said good-by to many incredible old maples (Big-leaf) that reached their lifespans (200 yrs) along the creek. Over a few decades, I have watched elevated forests start and flourish on top of fallen redwoods. Changes in the creek, changes in my boys as I photographed them under the redwoods as they grew up.
More tourists every year, but I tend to go less in the summers, so no matter. I prefer the redwoods whan they are wet, but I had a good hike down to the Tall Trees Grove (Redwod Nat. Park) on my birthday earlier this week with just the Rolleiflex and a couple good friends. I get a similar feeling looking around and up at these trees in this grove as I do at the bottom of the Grand Canyon looking up at the rims. Granted it was a Monday and we were early (9:30am), but we saw 6 people on the hike down (2 were coming up) and perhaps 8 people at the Tall Trees Grove (a 1.25 mile hike down from the car park). Not bad for a national park in the summer. This grove had the tallest redwood and several runners-up until recently when even taller redwoods were found.
But a few years back I moved to a small town and am beginning to explore it and the river along side of it...mostly medium format, but it will be interesting to start using the LF cameras a bit more. It is nice not needing to get in a vehicle...I'll just need a cargo bicycle to haul the 11x14 around town and river!
This Big Leaf Maple is now only half of its former self. An 8x10 carbon print. Film was Kodak Copy Film (8x10)
Exactly. Many tourist hotspots are centred around a particular view or views, little windows of the approved picturesque to which people pay homage with their cameras. The number of visitors cannot be ignored, we can't pretend their presence hasn't changed the place irrevocably. The only honest response is to include them.The shot was pretty nice. But the better shot I missed: the swarm of tourist milling about amidst the scene. I regret it every time I think about it.
Yes-spot on. I always enjoy seeing his images.Vaughn writes like somebody who believes his photography and life mean something. Refreshing. Uncommon.
Exactly. Many tourist hotspots are centred around a particular view or views, little windows of the approved picturesque to which people pay homage with their cameras. The number of visitors cannot be ignored, we can't pretend their presence hasn't changed the place irrevocably. The only honest response is to include them.
this reminds me of the photographer from russia ? FSU? who did all those photographsI actually think photographing touristy areas can be beneficial, if you aspire to make compelling, unique photos. If you can make images which are different (and more interesting) than the usual tourist pix, you're moving in the right direction. If your photos look no different than any other casual tourist, you'll know you have a long way to go.
I answered with regard to the question in thread title. A "touristy" location infers the unavoidability of tourists.No, there are all sorts of "honest responses"... one being to avoid tourists and tourism. Whatever floats your particular boat.
I'm still waiting to be told what "hard time" I'm having. I'm not in prison. I haven't recently been charged with anything either.sorry for your "trouble" eddie..
I can hear your heels clicking from here!
No, there are all sorts of "honest responses"... one being to avoid tourists and tourism. Whatever floats your particular boat.
Please complete your thought. I have no idea what you’re referencing.Sorry to bring that up.
Dead Link Removed
I was shooting some execs on the Marin Headlands with the Golden Gate Bridge and SF in the background. I had them sitting in an open convertible. Just as I was about to shoot a tour bus with about 50 gray/bluehairs arrived and swarmed all over. I stopped and waited until they were gone.
The shot was pretty nice. But the better shot I missed: the swarm of tourist milling about amidst the scene. I regret it every time I think about it.
I’ve gone to local galleries/ artist collectives to find the secret places. You can see them on the walls, and the artists are willing to share. It’s even led to a few photo tours with other artists on a little Caribbean island I like to visit.Where ever I go, I ask the locals where the special secret photographic places are. They are very happy to help me find them.
I appreciate your words about my work, but I’d still like you to explain my “hard time”. When you make a claim about someone it’s incumbent on you to explain when that person asks.Here's some wonderful work: https://www.photrio.com/forum/media/triangles.50494/
maybe he knows you ripped the tag off of matress and the PO-PO will be knocking down your door ?I'm still waiting to be told what "hard time" I'm having. I'm not in prison. I haven't recently been charged with anything either.
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