I used 4 x 5 a lot in the 70's, for about 2 years. Then gave it up.
I discuss the anal large format personality versus street / documentary personality here. (Right after 35mm and 6 x 6 film, about 60% down the article.)
nsfw
https://danielteolijr.wordpress.com/2015/05/13/what-is-the-best-camera-in-the-world/
I had to decide to feed my ego or do good street and doc work. Ego lost out, I was cured of Edard Westonitis and street and doc work flourished when I dumped the 4 x 5. and I concentrated on my Leica M3/M4, Nikon F and SWC.
Nowadays, the closest I will go to large format is a SWC with a ground glass screen and hood magnifier. Reminds me enuf of large format for my taste.
It seems that 80mp medium format digital is in the ballpark of 4 x 5 sheet film. If so, the large format guys are shooting the highest grade digital on the cheap. But view cams have their drawbacks when it comes to fast shooting, so that leaves me out.
I have used large format cameras for a number of years, in the last several years almost exclusively 8x10 but, I have just finished selling all my LF gear.
An 8x10 negative is hard to beat, makes excellent contact prints but the format it to slow for me. I can get what I need in medium format and have both Hasselblad and Rolleiflex cameras for that format.
Still shooting 4x5 along with 35mm. Hate the camera work, but like the negatives. I suppose "ideally" I'd shoot 5x7 but it was always too much of a hassle for me to get into 5x7. For me, 4x5 is a good compromise. If I went any bigger I'm certain the quality of my photography would suffer.
Move on to what?
I'm all good with cans of worms - it's just this is the kind of topic that will bring out some serious batshit mouth-foaming. Size, bulk are a part of it, for sure. The equipment tends to be a detriment to "vision". This is what I've observed, and so I assume the same would apply to me if I went bigger. I wouldn't mind getting into more of a discussion but not in this thread.
I use a couple homemade box cameras with paper holders. Not sure if that counts.... neither of them has movements. One is fixed focus and the other is a sliding box with ground glass. I like the larger paper negatives for contact printing. Both cameras can use either 8x10 or 7x11 paper.
I used 4 x 5 a lot in the 70's, for about 2 years. Then gave it up.
I discuss the anal large format personality versus street / documentary personality here. (Right after 35mm and 6 x 6 film, about 60% down the article.)
nsfw
https://danielteolijr.wordpress.com/2015/05/13/what-is-the-best-camera-in-the-world/
I had to decide to feed my ego or do good street and doc work. Ego lost out, I was cured of Edard Westonitis and street and doc work flourished when I dumped the 4 x 5. and I concentrated on my Leica M3/M4, Nikon F and SWC.
Nowadays, the closest I will go to large format is a SWC with a ground glass screen and hood magnifier. Reminds me enuf of large format for my taste.
It seems that 80mp medium format digital is in the ballpark of 4 x 5 sheet film. If so, the large format guys are shooting the highest grade digital on the cheap. But view cams have their drawbacks when it comes to fast shooting, so that leaves me out.
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