I use acros 100 roll film and I always pre-soak but I always pre-soak all my films, its just the way I was taught.
I'm sure if I didn't pre-soak it would make absolutely no difference, but as I said I have always done it that way. You you know what they say about old dogs and new tricks
With my Acros (roll), I presoak now that I'm using mostly Pyrocat-HD but did not when I used Xtol (1+3) or Perceptol/Microdol (1+3).
I started presoaking films back in the early 80s when I started processing roll films in the Unicolor film drum on a motor base. Using water with a bit of Edwal LFN in it prevented streaking and mottling issues I was having. Now I'm back to the manual tank for smaller formats and presoak only with Pyrocat as per Sandy King's recommendations.
I always presoak Acros and I use a lot of it. I have presoaked everything for 20 some years when I came to realize it helped with processing eveness. I used to presoak only 30 seconds until Kodak came out with the Tmax films and recommended a 2 minute presoak. Now I presoak everything for 2 minutes. The only problem I might have ever had with a presoak was with Agfa films but I am not certain of that.
I went back to a Kodak "how to" book from the 40s, and in it they show roll film being pre-rinsed! This was when film was a lot softer than today, and so they also show a rinse after development, instead of the stop. This was the time of Eaton's book in which he suggested a rinse for film, but later changed it to a stop.
There is an awful lot of dye which comes out in the pre-soak. I have no evidence, but it just seems best to get rid of this before putting the Dev in, especially if using a staining dev such as Pyrocat. Having different substances all dissolved in a small amount of liquid seems like asking for problems.
I'm now using a Jobo ATL, so accept that it is no extra effort for the pre-rinse and volume of dev is lower. Six sheets of 5x4 use 300ml vs 1000ml in my previous device, a Combi-plan tank (though I still pre-soaked using that too).
Funny, I always presoak. With Fuji Acros, there is a LOT of blue dye that comes out in the presoak. More than with most films. Also some red tint in the fixer. I just developed two rolls of 120 tonight, by coincidence. -Laura
Pre-soaks are also very handy if, like me, you shoot more than one format and use more than one style of tank, and sometimes forget to check the capacity of a tank before loading film in it.
(Hint: pre-soak with the tank full, then empty the tank and measure how much water was in it).
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