Kodachrome lost its edge commercially when Fuji's Velvia 50 came out with all it's fine grain and bright saturated colors. Ektachromes put a big dent in to it as well.Have Kodachrome slides from mid 1950s on. There appears to be no fading. A few slides taken with Argus 3C. Blue cast in a few slides probably because lens accentuated blue cast of shady shots. Pictures taken with better lenses from 1960 to demise of Kodachrome, slides have not exhibited any visible deterioration. For last 30 years slides stored in cellar where temperature is rather constant. Ditto for Super 8 films.
Kodachrome suffered from rise of digital. Depending solely on professional and hobbyist photographers without mass of vacation snap shooters could not support processing.
Kodachrome lost its edge commercially when Fuji's Velvia 50 came out with all it's fine grain and bright saturated colors. Ektachromes put a big dent in to it as well.
Those are lovely shots, but the presence of all the baseball caps on backwards indicates that these are not all that old. Being Ektachrome, or any E-6 film, years from now they won’t look much like this. I will be long dead, but time will prove this.I have to confess that I love(d) Ektachrome more than Kodachrome ...I have tons of Ektachrome slides and those are in great condition too.
Examples in 35mm captured with a Konica Hexar AF on Kodak Ektachrome Elite 100 (5045):
View attachment 232713 View attachment 232714
Those are lovely shots, but the presence of all the baseball caps on backwards indicates that these are not all that old....
I have some Kodachrome and Ektachrome slides going back as far as about 1969. The Kodachromes look like they were shot yesterday. The Ektachromes have faded considerably.
View attachment 232715 Just for fun (father-in- law's archives) : Not well aged AGFA Chrome CT18 (process AP-41) - Reeperbahn Hamburg / GER 1963
There is a long thread over at rangefinderforum.com on Kodachrome from various time periods which contains many, many images, which might be worth a look. https://www.rangefinderforum.com/forums/showthread.php?t=165131
I had posted many there, going from the late 40’s through the 90’s all the way to its demise. Of all the film stocks we have lost, this one hurts the most, as there really are no close substitutes. Most of the slide film I shot was K25. The Ektachrome and Agfachrome I shot concurrently all show degradation now, and were all carefully stored. And neither was as good as Kodachrome 25 to begin with, IMO.
Purely coincidentally with seeing this thread this morning, yesterday I started sorting through the last large box of my father’s slide trays, which turned out to be 70% Kodachrome, 30% a mix of Agfachrome and Ektachrome. The Agfachrome is hard to even make out the image on, the Ektachrome, is better, but still essentially useless. Kodachromes in this box went back to 1946, and some of those were in reasonable shape. Sometime around 1950 the formulation changed, and from then on color became much more stable. Putting those on a light table last night, none of which I had ever seen before, was a real experience, more so than newly found black and white negatives would have been. It was like opening a time capsule and seeing people exactly as they were, in color, for the first time, after almost 70 years.
This film is never coming back, and that’s a huge loss.
Here are a few recently scanned shots from Kodachrome.
https://www.railpictures.net/photo/685491/
https://www.railpictures.net/photo/691126/
https://www.railpictures.net/photo/689412/
https://www.railpictures.net/photo/688939/
https://www.railpictures.net/photo/688725/
This is from one of my last rolls of Kodachrome
https://www.railpictures.net/photo/688352/
One of the very few shots I took on Kodachrome 200
I talked to a Kodak rep once and asked about why some rolls of Kodachrome seemed to have a green cast. He told me something very interesting. Non-Pro Kodachrome did indeed have a green bias when fresh, as it got to its use by date it was more or less neutral. He told me always try to use Kodachrome around its use-by date. I did and he was right!
Those are nice shots, Mark! I don't know if I've ever seen trains shot on Kodachrome before, but it looks like a perfect match of subject and film type. It makes me want to visit the train museum near me in Duluth.Mark, Nice shots. I was just thinking. Those trains are getting old and dying like Kodachrome. Nothing lasts.
Ah, yes, these kodachrome slides with their red border cardboard mounts. They're a thing of beauty. I suspect it's the colour palette of the film, nowhere near as accurate as the modern films, but strangely beautiful.... This may sound nuts, but the earliest slides up to the late 50's when it was ASA 10, and Kodak processed everything themselves, are IMHO the most beautiful...
In the second shot who is the King? ThanksI have to confess that I love(d) Ektachrome more than Kodachrome ...I have tons of Ektachrome slides and those are in great condition too.
Examples in 35mm captured with a Konica Hexar AF on Kodak Ektachrome Elite 100 (5045):
View attachment 232713 View attachment 232714
In the second shot who is the King? Thanks
pentaxuser
What is "nuts" about it? The Kodachromes with the best color that I have are ASA10 Kodachromes processed by Kodak. We always felt that the "more natural" ASA25 Kodachromes were "anemic looking" compared to the ASA 10s........Regards!My Dad's start in 1949. They are fabulous. I have images on another computer. This may sound nuts, but the earliest slides up to the late 50's when it was ASA 10, and Kodak processed everything themselves, are IMHO the most beautiful. I use a little Nikon Coolscan unit, I've made inkjet prints 11 x 14 that are amazing. I'm pretty sure everything was shot with an Argus C3. Pictures of my 89 year old uncle as a 19 year old picking corn with a one row corn picker. First harvest they didn’t pick and husk it by hand.
70 years ago! Looks like yesterday.
I'm not alone!!! Bring back REAL KODACHROME!What is "nuts" about it? The Kodachromes with the best color that I have are ASA10 Kodachromes processed by Kodak. We always felt that the "more natural" ASA25 Kodachromes were "anemic looking" compared to the ASA 10s........Regards!
What good fortune to have an actual Kodak lab to drop off your film. I do miss Kodachrome. The color of the train car is stunning.I totally agree that K25 was the bee's knee's. I started photography because I was a train enthusiast so as wonderful as K25 was it wasn't much use photographing fast moving trains. Here is a pic using K25 shot in 1982. Its sharpness was unmatched and in low afternoon winter sunlight, it was as good as colour photography gets. Only drawback I ever found with Kodachrome was that the shadows went to ink very quickly. It would be interesting to see a characteristic curve.
I was lucky enough to live very close to the Kodak factory/lab in Melbourne and would drop my Kodachrome rolls off in the morning, before school, and pick them up after school. Happy days!
View attachment 232722
View attachment 232715 Just for fun (father-in- law's archives) : Not well aged AGFA Chrome CT18 (process AP-41) - Reeperbahn Hamburg / GER 1963
Bring back REAL KODACHROME!
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