Mentioned this here before, but I'm not really an "event" shooter, but once commercial client pays my day rate when he has events. The night before, my Nikon DSLR died, which I had a dedicated flash for. I have a mirrorless that I use mostly for video (Samsung NX1, awesome camera) so I dusted off a 285 that had been sitting in a closet for a decade. Stuck a diffuser on it and did some tests with the NX. When I shot the gig, I really couldn't tell a difference from a TTL flash - the old Vivs were really very solid little workhorses.
As a side note, I butched up a busted Speedotron head to hold the Vivitar so I can use it with my speedo reflectors as a sort of a little extra battery-powered monolight. Had a last-minute Thrillist "Best Bartenders" gig and I had to shoot it at happy hour, at my favorite dive bar. So stands and cables would have been a nightmare. Clamped the 285 to a ceiling joist with an 11" grid head with mylar and a radio slave, and stuck a CTO gel on it, lit the BG with a tungsten fresnel behind the bar. Shot about 1/2 second for background blur and froze the subject with the flash. Really the handiest little thing, though its got no modeling light, a battery powered strobe with 4 power levels on manual that I can use my modifiers with is just dang cool!