The glass carrier can handle all formats up to the largest size negative it is intended for.
I have a Durst with a 4x5 glass negative carrier and use it for 35mm, medium format and 4x5. The Anti-Newton glass should be on the top portion of the carrier.
Sure!
If you rely on the negative carrier to delineate the edges of the image on your print, you accept any blurring or artifacts that the carrier imparts.
Here is an example of the effect that the thick carriers on an Omega D series imparts - see the very edges of the image area:
View attachment 411245
This only occurs, of course, when you elect to print the full image area on the negative, as revealed through the carrier.
If you try to mask off any of the image area on the negative by relying on those masking accessories, there will be more of a blurred area between where the image in the print is sharp and where the paper is white.
If you let that blurred area fall on the easel arms or even further afield, and rely on the edges of the easel arms instead, the fact that those edges are right against the paper means that you will end up with a sharp demarcation between image and white.
This might illustrate the difference:
View attachment 411246
Glassless 6x6 dedicated carrier would be my approach. Negative is flat, less dust to deal with, easier.
you’re probably right - I’m only complicating my life in some sense
I suppose I hoped the 4x5 carrier would work because it would mean not having to buy a whole other negative carrier and I thought glass carriers were considered superior to glassless
Still much to learn on my end!
I have a masking attachment for my D3, I do use on occasion when I'm printing 4X5 and MF during the same session, but in general I prefer to print with dedicated carries, just less hassle. I usually print full frame, but if I am cropping a negative I will use the masking attachment to help prevent stray light reflecting from the work bench and easel. With my Axium I only have the 6X6 masking carrier with I use with 35mm as well but tape the masking blades in place to keep them from slipping when I remove the carrier and change negatives.
Thanks Matt for the detailed response
On your omega do you prefer to use the 4x5 with the masking attachment or like mshchem recommends - using a glassless 6x6 carrier?
I half hate the thought that the glass carrier may not be as “universal” as I initially thought
I had read in the forums that the masking attachment for the Saunders 4500ii did not complete mask all the way down to 35mm, so I bought a 35mm glass carrier too just to cover my bases
I don’t think Saunders/lpl (now omega) made a 6x6 glass carrier and KHB and George brown did not have anything for sale that comes close to a glass carrier for medium format
That 4x5 glass carrier will work fine for what you want to do - except when you want to print totally full frame, and you want the very edges of the image to be sharply delineated.
Have you reached out to Kevin Brown at KHB, the Canadian distributor for LPL?
As a small aside to this conversation, has anyone tried the 3d printed options for the LPL negative carriers? I'm lucky in that I have stumbled across them used as needed, but I wonder how the 3d printed quality is and what the user experience is like?
Additionally, one of the Omega D series of negative carriers supposedly works with your enlarger, I picked up a 6x12 one since Saunders/LPL never made one. It does not seem to be a direct fit, so double check your research. (I got the carrier so cheap, I was willing to experiment).
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