All of them have significant illumination falloff. The question is, will this be a problem for you? With color film, especially chromes, the effect can get pronounced due to sheer contrast; in color negs due to potential color shift due to underexposure at the corners of the field. And you CAN"T really correct something that's not there to begin with. Or at least it's far easier to do the correction via a center filter at the actual
time of exposure. In black and white photography, some people like darkened corners on certain images, others might not. It's a creative
choice. But you can't always rely on simply dodging corners in the print to salvage shadow detail that are typically a full stop and a half off.
Just depends.