It could work, but why not take the box and the ir filter from the equation and just use a darkened room (eg bathroom) with ir goggles? It'll be much more convenient.
New55 was using an infrared camera inside a light tight box, with a monitor outside the box, to assemble film packs.
A normal changing bag works and when Kodak High speed IR was available that was all I used without a problem.
How much time do you spend exactly on fiddling with films and reels? I mean, how long does it take to spool a film onto a development reel or cut a length of film and roll it onto a cassette spindle - 4 minutes max?Plus, I could set a box up out in the living room and work on film stuff while watching TV with my girlfriend, rather than locking myself away in a closet or bathroom.
How much time do you spend exactly on fiddling with films and reels? I mean, how long does it take to spool a film onto a development reel or cut a length of film and roll it onto a cassette spindle - 4 minutes max?
Alright, sounds reasonable. Although printing inside a box sounds cumbersome, even with ir vision. Then again, I once met a photographer in Rome who was doing paper negatives of tourists, which he developed inside his LF camera. Pretty neat.
Cumbersome, but low tech and it worked quite well.
A normal changing bag works and when Kodak High speed IR was available that was all I used without a problem.
It could work, but why not take the box and the ir filter from the equation and just use a darkened room (eg bathroom) with ir goggles? It'll be much more convenient.
How much time do you spend exactly on fiddling with films and reels? I mean, how long does it take to spool a film onto a development reel or cut a length of film and roll it onto a cassette spindle - 4 minutes max?
Yes, absolutely, you're right about this. The question is how well you can use them ir goggles in a non-darkened room, but with a good eyepiece it should work I think.Wouldn't IR LEDs give better illumination?
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