Delta 100, FP4+, Kentmere 100, Kentmere 200, SFX200, Ortho+.
I always assumed that the relative niche'ness of analog photography would mean fewer emulsion choices, and in some cases that's true. It's certainly NOT in terms of Ilford's medium speed line up! Some of the options have pretty distinct characteristics, but FP4+, K100, and K200 are pretty similar in many ways. Why would you choose one over another? I can easily see standardizing on K200, it's a great film. FP4+ or K100 might be slightly finer grain but nothing compared to Delta 100, which is probably sharper* than Pan-F.
Are you sticking with FP4+ or Delta or have the Kentmere films swayed you?
*Please don't start a thing about sharpness vs acutance vs fine grain, you know what I mean.
Delta 100 and Ortho+.
Why? Because of colour rendering and overall tonal responses. In those aspects, Delta can deliver more 'classic' rendering than FP4+. For those that work with archive negs, a comparison between FP3 and FP4 et seq will rather give lie to the idea that FP4 is 'classic' in its rendering.
Are you sticking with FP4+ or Delta or have the Kentmere films swayed you?
Delta 100 and Ortho+.
Why? Because of colour rendering and overall tonal responses. In those aspects, Delta can deliver more 'classic' rendering than FP4+. For those that work with archive negs, a comparison between FP3 and FP4 et seq will rather give lie to the idea that FP4 is 'classic' in its rendering.
Delta 100 and Ortho+.
Why? Because of colour rendering and overall tonal responses. In those aspects, Delta can deliver more 'classic' rendering than FP4+. For those that work with archive negs, a comparison between FP3 and FP4 et seq will rather give lie to the idea that FP4 is 'classic' in its rendering.
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