So I know... from what I read ortho lith is notorious fickle. Ive been using a crown graflex and a dark yellow filter, treating it like ISO 1 or 2. I feel like this is helping me start getting more sky detail. Anywho.
The recipe calls for 18 mins in hc110 1+200, 18 min, slight sloshing every 3 mins.
Im using the taco method, L110 (a sort of HC110 clone) 5 ml to 1L, phased out the sloshing, except for a slosh at 9 mins.
Should I start experimenting with shortening my development time? I know the film is super contrasty, but based on this photos below (over black mat) are they over developed?
I know tray developing would let me see the process, but no darkroom available at this moment.
Dektol gives miserable results, unless you deliberately want a blotchy funky look. I've had way better luck with HC-110 diluted 1:7 from stock (which itself is 1:3 from concentrate). Don't know about the very latest version of HC-110. Better yet, use an ordinary pan film! Ortho Litho is a headache for con-tone imaging.
What use is a yellow filter? It's not going to differentiate much, and will mostly just yield longer exposure netural density because otho litho is only blue and green sensitive (about 75% blue sensitive, and 25% green). If you're trying to bring out white clouds against a blue sky, you'd be better off using a deep green filter.
Was this response directed to me?Awesome! Thank you for your response. Im not familiar with other developer, but I have read that people have tried dektol, a paper developer, to moderate success. If i get another developer.. maybe ilford multigrade paper liquid may be the way to experiment?
(Ill look up the one you mentioned and see if its available in the US)
Why not use the ortho film without a yellow filter? +1 as Drew says, The early plates recorded little to no sky detail.
I use Ilford Ortho, develop it in ID 11 1:1. nit sure if it has the ambrotype look, or could have it, but it is easy to work with.
Was this response directed to me?
If so.
This developer that I told you about, I think, is not available for sale as a commercial product, and it is prepared manually from scratch. In fact, it is very economical in terms of cost. If you want to save a lot of money then preparing this developer will be the best option.
I know that making a developer from scratch is probably not in your plans.
But I just wanted to share with you the information I have.
If you were in Egypt, I would give you a lot of this developer for free. I have one liter, and you can imagine that the dilution ratio is 1:100, which means that every 3 ml they can develop one roll.
You can try keep cutting development time - do a sequence of 5, 10, 15 mins and see what happens.
Then you can try cutting dilution and repeating sequence
But I think you are probably just better getting Ilford ortho if you want ortho film. Lot easier than trying to get pictorial contrast out of lith film.
Those examples above don't look like con-tone images at all. An ordinary A&B lith developer could have been used for that kind of look, if that is what you're after.
Those examples above don't look like con-tone images at all. An ordinary A&B lith developer could have been used for that kind of look, if that is what you're after.
Sounds good. Ill remove the filter. Should I bother fiddling with a green filter?
Ill have to look up Ilford ortho. Hopefully the make it to fit 4x5 holders
You're under-exposing plus over-developing.
Yup yup its a total headache.. but is there a panchromatic film I can display like an ambrotype?
Hi, I've pretty much written a small book on this topic. See here: https://grainy.vision/blog/ortho-litho-reference
Uneven development is a huge risk with this film, especially with sheet film. Good luck and feel free to ask any question, though I haven't messed with ortho litho very much for in-camera usage in over a year now
You don't need a darkroom! Buy a red safelight so you can see what's going on!
So I know... from what I read ortho lith is notorious fickle. Ive been using a crown graflex and a dark yellow filter, treating it like ISO 1 or 2. I feel like this is helping me start getting more sky detail. Anywho.
The recipe calls for 18 mins in hc110 1+200, 18 min, slight sloshing every 3 mins.
Im using the taco method, L110 (a sort of HC110 clone) 5 ml to 1L, phased out the sloshing, except for a slosh at 9 mins.
Should I start experimenting with shortening my development time? I know the film is super contrasty, but based on this photos below (over black mat) are they over developed?
I know tray developing would let me see the process, but no darkroom available at this moment.
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