Developer for FP4+

P C Headland

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Mar 24, 2005
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Why not give it another try in HC-110, but at a higher dilution (1+63 or 1+119)?

In Rodinal I get nice results using 1+100 for 20 minutes.
 

ijsbeer

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Mar 8, 2005
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X-tol is also getting my vote. easy to use, cheap, not to bad for the envirioment.

Greets,
ijsbeer
 

elekm

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Sep 12, 2004
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Tim, think about what kind of image you want and then select your developer from that. In some cases, you'll want a fine-grain developer. In other cases, you'll want a higher-contrast developer.

I would use that as your criteria and not worry too much about shelf life.
 

Lee L

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hal9000,

It looks like you're headed for about 3.5 minutes for your target of gamma 0.57 with dilution E. HC-110 is pretty linear on dilution vs. times, so if you double your dilution, you should be close to gamma 0.57 at 2 x 3.5 minutes, or 7 minutes. You could also reduce agitation in combination with lengthened time to tame highlights and increase shadow contrast. I'm sure there's a way to get the overall scale you want with HC-110 and FP4+. Whether or not the combination's other characteristics match your desires is a matter of taste.

I'm also a bit puzzled about your dilution. European stock concentrate used to be different than north American, so dilution E was 1:14 from that concentrate. But that certainly makes no sense given your results. Has the European stock concentrate changed, or are you using non-Euro HC-110?

I assume you've seen http://www.covingtoninnovations.com/hc110/ If not, it's worth a visit.

Lee
 

TLR

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Jan 14, 2006
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Salamanca, S
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I have used HC-110 for 5 years now. Here, in Spain, the HC-110 is sold in a 1 litre bottle of concentrate (made in France) and comes with a dilutions table identical to the USA concentrate, so I think both are identical. I use it at a 1:63 dilution direct from the concentrate. I have never seen the other type of bottle of HC-110. http://www.digit-photo.com/images/produits/photoprod/PRKD5010541.jpg
Regards.
 

hal9000

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Berlin, Germ
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Thanks for the suggestion, I will try that one of these days and post my results. Although even if I do reach 0.57 at 7 minutes, this will mean that any reduction in contrast will again put me below 5 minutes, which is not very reproducible. So I can really only expect to use this combination with N or N+x development.
Yes, I am using the USA version, so E is 1:47.
 

hal9000

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Berlin, Germ
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FP4+ with XTOL 1:1

I finally got around to testing FP4+ in another developer - I used XTOL 1:1 and have found very nice fairly linear results for controlling contrast with development time from N-1 (about 5 minutes) to N+2 (about 27 minutes) with normal N development about 12 minutes. I am looking forward to using this combination now for real! My results are in the attached graph.
 

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Vaughn

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Just for the heck of it, I'll chime in here and say I use Ilford Universal PQ Developer for my 8x10 FP4 -- using the negs for alt processes. Depending on the alt process and the scene's contrast, I vary the dilution (between 30 to 60 ml to make up a liter of developer) and process in a drum at a temp of 63 to 68 degrees F and times of 4 to 10 minutes.

To determine the dilution,temp and time for a particular neg, I look at my previous negs, check the exposure data of the neg to be developed, determine what process the neg will be used for and then wet my finger to see what direction the wind is blowing.

Once developed, I look at the contrast of the negative -- if it is high contrasty, then it will be used for a carbon print, if it has a medium amount of contrast I'll make at platinum print out of it, if it is relatively flat I set it aside and perhaps I'll make a silver print from it someday...or perhaps a cyanotype.

I think I'll save all the testing, plotting of curves and all that for when I am too old to actually go out and photograph.

Vaughn
 

PatTrent

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For 120, my favorite is Rodinal 1:100 for 1 hour with only 1 agitation cycle at the beginning followed by 1 cycle every 15 minutes. My agitation cycles consist of 3 firm raps of the steel tank against the bottom of the sink (with a rubber coaster for cushioning) and 2 gentle inversions.

For 135, like both the Rodinal method I just described, or--especially if the photos are of women or children--I use HC110 diluted 1/2:63-1/2 (half the dilution of "Dilution B"), using the American scale. My time for the HC110 is 12 minutes at 68 degrees (adjusted for the ambient temperature which is 70 in the winter and 75 in the summer). Also, with the HC110, I use the same agitation method as for my Rodinal method.

Either of these methods gives me beautiful, long tonal scales with FP4+. For low contrast scenes, I have to increase the contrast at the print stage, but it helps tame the harsh California sunlight outdoors. The grain in Rodinal is slightly higher than with HC110, but surprisingly low, and only an issue for 35mm portraits of women and children.

I rate the film at Ilford's own ISO 125 when using Rodinal (although I sometimes have to give 1/2 stop more exposure for shadows--depending on the subject and scene). For HC110, I use an EI of 80-100, depending on the subject and scene.
 

gainer

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Pyrocat MC or, if you want a non-staining single solution developer, Rodinal.
 

ricksplace

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I have yet to find anything that DOESN'T work well with fp4+.
 
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5L package of XTOL would not be a good choice as it sounds like you don't process enough film to use 5L in 6 or 7 months. I suggest 1L of ID-11 stored in several small full bottles. ID-11 is the suggested developer for best image quality with FP-4. I bet ID-11 would last 7 or 8 months if stored in a full container. I like XTOL but FP-4 developed in ID-11/D-76 gives beautiful results too.
 
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