fretlessdavis
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Overexposing and shortening your developing time is exactly the opposite of what you should do with Delta 3200. Normal (EI 1,000) to under-exposing is ideal, and develop it way longer than you think.
The lab may not be processing it, but outsourcing to another lab that does, hence the drip-pricing. This is a common practice in labs that do not have darkroom facilities. My pro-level lab charges $27 for B&W processing with any choice of developers and other details, but the work is outsourced.
Simon,
What do you consider the 'normal' speed for Delta 3200? And when does it become pushing/pulling?
Just curious.
- Thomas
Interesting replies but for the OP I am not sure we are any nearer answering his question about why the lab has charged nearly three times its normal B&W processing price for D3200.
pentaxuser
I should really look into that. I want to shoot some grainy black and white and thought Delta3200 would be great for that, but not at that cost.Wow, $15.20 is more than halfway to a PMK Pyro kit from the formulary. That and a quart of TF-4 fixer will take you a long way down the road.
I assume there are three scenarios:
-) The lab runs a hanger processor all day and a "weird" film would take up a whole run on its own and block other processing.
-) The lab runs a hanger processor all day and gets enough weird ones to form a batch on its own. This however makes logistics a Little bit more complicated and does not allow first-in-first-out offers.
-) The lab only runs a hanger processor sporadically. Then a extra run would have not much effect except for extra handling.
We develop in a REFREMA dip and dunk machine...called Rupert.
Simon ILFORD Photo / HARMAN technology Limited
We develop in a REFREMA dip and dunk machine...called Rupert.
Delta 3200 shot at 3200 requires 10.5 minutes in D76 stock so it is not a significantly longer processing time.
Faster speed films have more silver content, which explains why they cost more, so maybe the higher cost is related to disposal cost, either for silver recovery (assuming they recover silver) or increased cost to the local sewage treatment plant for silver discharge.
As mentioned, developing your own is worthwhile. And develoing your own color is worthwhile and not difficult. Only the 3.5 minute developer step requires a certain constant temperature and that's easy using a water bath (no expensive equipment required). I've been doing it for years.
They probably are. They posted my Portra 400 to Kodak for processing, same with TriX. All my Fuji actually goes to Fuji. This is with Yodobashi Camera in Shinjuku.
yea the kit is cheap but most is free if you join a camera club when some one converts to DSLR...On the opposite side of that road where you buy film (not where you drop it off to process). If you go to level 6, you can get everything you need to process BW film. I highly recommend LPL Steel tanks, that's where I got mine and they are easy to load. Paterson tanks are cheaper, but a pain. All the chems are there too...
Since in your profile you only mention you do 35mm film, you will want this tank: http://www.yodobashi.com/LPL-エルピーエル-L40111-ステンレス現像タンク35mm-リール付/pd/100000001001058695/
It does one roll at a time. They have a tank which you can use for 1 x 120 and 2 x 35mm, but it doesn't come with reels and ends up being more expensive. But I like it, it saves time when processing more than one roll at a time.
And changing bag: http://www.yodobashi.com/エツミ-ETSUMI-E-544-チェンジングバッグ-中/pd/000000110399900184/
I forgot to mention it also takes them 3 full weeks to process ilford delta3200. That should give them plenty of time to collect a lot of rolls.
Considering Tokyo is one of the big film capitols and how many rolls they sell next door, it is really surprising that it's so expensive.
I forgot to mention it also takes them 3 full weeks to process ilford delta3200. That should give them plenty of time to collect a lot of rolls.
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