Marco Buonocore
Member
In another thread, a member mentioned the use of Defender / Dupont's thiocarbamide based toner.
I've used the formula in Anchell's Darkroom Cookbook, 2nd edition, p 237. It's the same formula as Tim Rudman has in his book on Toning (p32).
I noticed in the following link:
http://silvergrain.org/Photo-Tech/toners.html
that in Toner #3 (T3), it calls for 44g of Thiourea in 1L of water - while in the other sources it calls for 3g in 1L. Quite a difference!
Having done 3 sessions with the toner, using B1 & B2 (no nitric acid on hand for B3), and having made T1, T2, and T3, I am exited by the possibilities.
My goal is to recreate the effect I get with Kodak's Sepia toner. I'm in a shared darkroom, so odourless is a big deal. The B2 & T3 combo has been quite promising on Ilford Warmtone. I've been selenium toning first to get a nice split.
I have a couple of questions:
1: why does the potassium iodide & potassium ferricyanide bleach (B2) turn the print base blue? I've never seen anything like it. Should I wash the blue out before redeveloping, or is that unnecessary?
2: How long do I redevelop for? With Kodak's Sepia, it's all done and dusted in less than a minute. With the T3 formula (the one from the darkroom cookbook), it's hard to tell when it's complete. I was waiting up to 4-5 minutes.
3. With question #2 in mind, is there any way I can speed the redevelopment up making a higher concentrated formula? ie: 9g thiocarbamide + 144g Potasssium Carbonate + 1000ml water. Will this work?
I'd also be interested to know if people think it's worth making the B3 Bleach; I'm aiming to make selenium / sepia splits, with as golden a highlight as I can manager.
Thanks in advance!
I've used the formula in Anchell's Darkroom Cookbook, 2nd edition, p 237. It's the same formula as Tim Rudman has in his book on Toning (p32).
I noticed in the following link:
http://silvergrain.org/Photo-Tech/toners.html
that in Toner #3 (T3), it calls for 44g of Thiourea in 1L of water - while in the other sources it calls for 3g in 1L. Quite a difference!
Having done 3 sessions with the toner, using B1 & B2 (no nitric acid on hand for B3), and having made T1, T2, and T3, I am exited by the possibilities.
My goal is to recreate the effect I get with Kodak's Sepia toner. I'm in a shared darkroom, so odourless is a big deal. The B2 & T3 combo has been quite promising on Ilford Warmtone. I've been selenium toning first to get a nice split.
I have a couple of questions:
1: why does the potassium iodide & potassium ferricyanide bleach (B2) turn the print base blue? I've never seen anything like it. Should I wash the blue out before redeveloping, or is that unnecessary?
2: How long do I redevelop for? With Kodak's Sepia, it's all done and dusted in less than a minute. With the T3 formula (the one from the darkroom cookbook), it's hard to tell when it's complete. I was waiting up to 4-5 minutes.
3. With question #2 in mind, is there any way I can speed the redevelopment up making a higher concentrated formula? ie: 9g thiocarbamide + 144g Potasssium Carbonate + 1000ml water. Will this work?
I'd also be interested to know if people think it's worth making the B3 Bleach; I'm aiming to make selenium / sepia splits, with as golden a highlight as I can manager.
Thanks in advance!
