When I think of deep tanks I remember working for a photographer in the 1960s who souped all film in huge porcelin tanks into which the 120 films were suspended vertically. They were partially sunk into the floor so we did not have to reach too high. We could do about fifty rolls at a time, each film clipped with ss clips on to a ss holder. Once we found a missing roll which had come off its clip in the developer tank and which had been in the soup for more than a week. Believe it or not, with some Farmer's Reducer, we were able to use the negs even though there were some holes eaten through the film support. The prints were lousy, but we got prints. But I digress.
For my film, nowadays, I use several brands of hard rubber tanks which hold either one gallon or half a gallon of solution. depending. I presently soup my film in D23, or sometimes HC 110, which I replenish. I use ss reels for 35mm and ss sheet film holders for 4x5 and 5x7. I get very even development but the down side is sitting in the dark until the film goes into the fixer.
I have no desire to use daylight tanks for my sheet film. My archaic, less-that-100 percent-conventient method works for me. With all the lamentation, consolation, and instruction pertaining to daylight sheet film tanks and roller processing, I am chary about changing anything to something more convenient. I may consider one of the pyro developers one of these years, though.
John, Mount Vernon, Virginia, USA