white/silver unexposed and Black exposed is easy even for a non photographer to grasp immediately.
I pull the darkslide all the way out (the back of the camera I keep covered by the dark cloth) and often I'll use the slide as a makeshift sun shade.
When loading holders, I'll back the dark slide out 1/3 or so and flip the flap and drive 'er home, locking the ell before flipping over and repeating the loding sequence on the other side. If by chance I get the film in the wrong groove (the one for the darkslide) it becomes evident when the film balks at loading because the darkslide is in the way. This is bette than being ready to shoot and pulling the dark slide only to have a sheet of film launch into the wild blue yonder.
I pull the darkslide all the way out (the back of the camera I keep covered by the dark cloth) and often I'll use the slide as a makeshift sun shade.
When loading holders, I'll back the dark slide out 1/3 or so and flip the flap and drive 'er home, locking the ell before flipping over and repeating the loding sequence on the other side. If by chance I get the film in the wrong groove (the one for the darkslide) it becomes evident when the film balks at loading because the darkslide is in the way. This is bette than being ready to shoot and pulling the dark slide only to have a sheet of film launch into the wild blue yonder.
I've always thought about it like this: if the dark side is out, it either needs to be unloaded or loaded in the darkroom.
- Randy
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