I would suggest, however, giving serious thought to whether 8x10 is the size you want for contact prints. You might actually prefer something slightly larger.
If you can find a used Canham 8x10 (Jim at Mid West sold me mine during the Monterey View Camera Conference) you'll have the option of adding a 7x17 or 8x20 back to it later.
I'd go along with all the recommendations of the Tachi between those two. An eBay Tachihara 4x5 started me down the LF path a few years ago. Moving somewhere without access to a darkroom is also the thing that pushed me to 8x10, specifically because of the contact printing issue.
Of course, now that I've got a D5 in the garage I'm wondering if I should pick up a reducing back for the 8x10 or go out and buy another 4x5...
I would suggest, however, giving serious thought to whether 8x10 is the size you want for contact prints. You might actually prefer something slightly larger.
Hi,
I think this is very good advice, indeed you equally might find that you wanted something slightly smaller. Attending a workshop where you were allowed hands on access to larger cameras would help answer not only how large a camera is right for you but also afford you sufficient perspective to decide how complex a feature set is necessary. It might even be fun.
Celac.
Well, that's now two cameras and one lens that get picked up from the clutches of my bids! Remind me people... where are those illuminated practitioners lamenting the demise of film and *gasp* 19th century camera technology?
Hell with it... off to "drop" my Hassie SWC into some really really deep snow! See you guys and gals in 10 days.
Having used 35mm, 6x4.5, 6x6, 6x7, 6x8, 6.5x9, 9x12, 4x5", 5x7", 13x18, 18x24 and 30x40, I now have great hopes for my new old 24x30cm camera. Enough larger than 8x10" (and 18x4) to make a difference, yet not as huge and "non-portable" as the 30x40cm mostrosity. But 5x7" / 13x18cm is and will be my most used size.