Tetium
Member
- Joined
- Sep 9, 2015
- Messages
- 23
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- Multi Format
Hi everyone !
I have some questions/thoughts about PVA (PolyVinyl Acetate) ([Gamblin PVA Size]) in this case.
I am wondering if a layer of PVA size on paper before applying the emulsion will protect the cyanotype as the addition of fumed alumina does.
(Chemical engineer needed!)
What I currently can see is a really nice glossy effect with cyanotype (as the print is wet).
The length of UV exposure is drastically affected (in my case with Fabriano Artistico) when sized with PVA.
The exposure time tends to be very reduced, by twice the time in my setup…
Is someone known if PVA has some photo reduction effects with cyanotype process?
Just some thoughts, maybe someone could enlighten me a little.
Thanks in advance!
I have some questions/thoughts about PVA (PolyVinyl Acetate) ([Gamblin PVA Size]) in this case.
- Do you think sizing a buffered paper as Fabriano Artistico would prevent the fading/damaging effects caused by calcium carbonate buffer during time?
I am wondering if a layer of PVA size on paper before applying the emulsion will protect the cyanotype as the addition of fumed alumina does.
(Chemical engineer needed!)
2. I am currently trying to size my paper with PVA with different dilution ratios (1:1 — 1:2 — 1:4).
What I currently can see is a really nice glossy effect with cyanotype (as the print is wet).
- PVA 1:1 gives a very glossy surface, with a strong shining effect.
- PVA 1:2 gives a less glossy surface, a little less brilliant than the glossy plaster effect.
- PVA 1:4 is barely visible but have some effect on visibility, a very (very) little shine.
The length of UV exposure is drastically affected (in my case with Fabriano Artistico) when sized with PVA.
The exposure time tends to be very reduced, by twice the time in my setup…
Is someone known if PVA has some photo reduction effects with cyanotype process?
Just some thoughts, maybe someone could enlighten me a little.
Thanks in advance!