A lot of it depends on where the road is. LOL!Sounds like few of the "landscape photographers" on this thread hike any significant distance from the road.
I rarely want to photograph scenes from the road, but Saint Ansel often did.
This is particularly relevant to me today as I went up Pike's Peak today with my son, daughter, and son-in-law. I had my two (Pentax) 35mm SLRs with me, one loaded with Velvia 50 and the other loaded with Provia 100F, so one for landscapes and one for people. I also had my most recent camera purchase with me, my Stereo Realist. It was loaded with Portra 400. Oh, and my cell phone which has a digital camera built into it. Each camera came along with a different purpose in mind. So technically today I had 4 cameras with me.
I don't typically travel with this many, usually 1 camera (or maybe two of one is loaded with B&W and the other with color film) is enough.
A lot of it depends on where the road is. LOL!
I still backpack with my small cameras -- Rolleiflex or the Gowland PocketView 4x5. Maybe even the Eastman View No.2 (5x7) on a short trip down along Redwood Creek for a few nights.
I'll drive, then wander away from the van for 4 to 8 hours with the 8x10 (60 lbs, all told, from 5 to 7 film holders)...hopefully doing more photographing than walking, but I'll walk a few miles. Zion was nice for that -- pick a side canyon and see how far one could go...often no one else around. Same sort of thing in Death Valley. My last trip there I worked about four days in the same relatively small area, rather than drive all over the place and catching pieces of places.
PS...My last big photo trip was an artist-in-residence in Zion National Park. I drove down there with six cameras. Sm Sony digital, Rolleiflex, Brooks VeriWide100, 5x7, 8x10 and 11x14. Eight formats, if one counts the 4x10 and 5x14 images. I was there for a month, so each camera came in handy for the what where when and whyever I was photographing. Riding my bicycle up and down the canyon made the 120 cameras or the 5x7 the best choices. After a long day of carrying the 8x10, the next day might be a more leisurely hike with the 5x7.
I had to hike a ways for this image -- did not even know about this fall before I started hiking up. Taken 25 years ago (1993) at the young age of 39 -- I'd love to have those legs and lungs again!
A 5x7 carbon print:
The 'physical work' is the most fun! Developing can be a chore, but I develop 8x10s five at a time in a Jobo drum...I am working, but I am also having Christmas holidays regularly! One never knows exactly what surprises, what gifts, might come out of the drum! But to be young again and carry a 90 pound pack (including 4x5) down into the Grand Canyon for 11 days! Wish I had known more about photography and seeing back then (late 70s/early 80s) -- maybe I'd have a decent image from all those trips down in that big crack.
I am laxed about what one does or does not do to get the image one wants, landscape or otherwise. There are rural and urban landscapes, landscapes made in wildernesses and city parks. Landscapes from the road are fine, as long as they work. As long as it is ethical and does no harm. But then, I don't even like leaving footprints if it can be avoided.
I personally like EW's method. Find a lovely young lady to love and drive you across the country (or just California) while you look for images and photograph. Camp out, eat cheaply and well, and enjoy! One of their favorite camping spots was Moonstone Beach, CA -- and it was one of my boys' favorite places to go for the day as they grew up.Think what it'd be like for us now, to have done little exploration on foot, mostly gawped out car windows, stopped for moments at famous "views" and only stayed in hotels/motels, rather than sleeping under the stars,
"Anything more than 500 yards from the car just isn't photogenic."
-Edward Weston
i was watching retouching of Clyde Butcher's 60" and larger prints when I visited his Venice, FLorida gallery a few years ago. He's also doing digital prints lately and has switched from many film cameras to digital cameras due to his advancing age. Here's a link to his page that shows the equipment he used and uses.I'm a traditional B&W retoucher & spotter and have worked on landscape photographs for years. Some of the most beautiful shots ever. Never thought of asking this and would love to know.
I know that feeling.
From AA's images (among others) I was inspired to make photographs and improve. I felt I could makes images I was proud of.
Looking at David Muench's color work, about 20 years ago (before digit*l), I felt overwhelmed: that he'd done it all, that there was nothing for me to do and I should just put my cameras away.
for simplicity, I've settled on one camera for all genres(Hasselblad 501c); haven't found anything it can't do yet.I'm a traditional B&W retoucher & spotter and have worked on landscape photographs for years. Some of the most beautiful shots ever. Never thought of asking this and would love to know.
for simplicity, I've settled on one camera for all genres(Hasselblad 501c); haven't found anything it can't do yet.
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