sanking said:I invite you to take the same challenge. Rent or borrow a 12X20" camera and use it for several months to make platinum/palladium prints and see how your work compares to some of the masters of ULF and Pt./Pd. Do nature work, or haul it around in the street for reportage photography if that is the only thing that turns you on.
You challenge to large format photographers to use a 35mm Leica is rather pointless because most of us, probably well over 95%, gravitated to large format after initially working with 35mm. I personally used only 35mm for the first 15 years of my involvement with photography, and I had several Leica cameras, including an M3 without a meter. I enjoyed it and made a lot of nice images, but eventually I became more interested in different subjects that caused me to move more and more in the direction of large format photography. So in answer to your challenge I have to say, as will a lot of others, been there and done that.
But exactly what is your larger point? Do you not accept the fact that superb work can be done in photography with any type of camera, from an inexpensive Holga or Diana to the most expensive Leica or ULF Ebony? Or do you really believe that the only true path is your way, reportage work with a sleek Leica? If so, you must be a very boring and pathetic person.
Sandy King
lee said:I don't have the slightest interest in producing work similar to yours either.
give it a rest
lee\c
Ornello Pederzoli II said:I also can take photos in 'real time', which the user of the LF cannot. You are limited to what does not move...
roteague said:Try "pre-visualization".
Look at this image: (there was a url link here which no longer exists)
It was taken with a LF camera. Does it look like I was constrained to "what does not move"? Granted, I couldn't do a second shot seconds later, but I didn't need to, I knew where I wanted the elements to be. FWIW, I shot exclusively 35mm for almost 30 years, before switching to LF.
Did it a few days ago, fullfilling all of your criteria other than sans metering (which I don't understand the point of). But it wasn't for the purpose of "taking a walk on the wild side". It was mearly for the fun of photographing without the more rigorous mental activity required of LF photography, in the field. You know, like doing to see a Speilburg or Disney flick after a long day of College lectures.Ornello Pederzoli II said:This challenge is directed to those who are exclusively LF workers:
Take a walk on the wild side. Get a Leica M3 or M4 (no meter) and force yourself to take photos without a meter, without a tripod, and without taking half a day per shot. Try spontaneous, unfettered street or documentary photography. See how good you really are! Learn to shoot from the seat of your pants, so to speak.
John McCallum said:Originally Posted by Ornello Pederzoli II
This challenge is directed to those who are exclusively LF workers:
Take a walk on the wild side. Get a Leica M3 or M4 (no meter) and force yourself to take photos without a meter, without a tripod, and without taking half a day per shot. Try spontaneous, unfettered street or documentary photography. See how good you really are! Learn to shoot from the seat of your pants, so to speak.
Did it a few days ago, fullfilling all of your criteria other than sans metering (which I don't understand the point of). But it wasn't for the purpose of "taking a walk on the wild side". It was mearly for the fun of photographing without the more rigorous mental activity required of LF photography, in the field. You know, like doing to see a Speilburg or Disney flick after a long day of College lectures.
A couple of my Disney flicks:
(there was a url link here which no longer exists)
(there was a url link here which no longer exists)
Unfortunately Sir, whilst the challenge is probably worthwhile the tone of your posts has little respect for the entitlement of LF photographers to do what they want.
"See how good you really are!" who is to judge how good I am? Who is to say I what need to learn? You?!
What qualifications do you have? Speak up if you dare,
lee said:you can not view the file because you are not a subscriber.
Secondly, you have not seen 'my work'. I could send you some prints, if you wish.
I quit wearing a cowboy hat when I was 4 years old.
first I dont think I need to see your work. I still have a 35mm Leica M3 double stroke. I choose not to use it much. not enough challenge there
and now i see you have decided to make fun of me because I wear a cowboy hat. Tough come on down and take it off me jerk welcome to the ignore file.
lee\c
That's odd you really do sound like one. My apologies for any offense that might have been caused, to Wedding Photographers.(Disclaimer: I am not a wedding photographer.)
John McCallum said:That's odd you really do sound like one.
lee said:and now i see you have decided to make fun of me because I wear a cowboy hat. Tough come on down and take it off me jerk welcome to the ignore file.
Ornello Pederzoli II said:Personal insults are not appropriate, by the way.
sanking said:The insult that you perceive was predicated on an if clause. I call this the hypothetical toad bumping its butt, as in "if toads had wings they would not bump their butts." What I said to you was this, "Or do you really believe that the only true path is your way, reportage work with a sleek Leica? If so, you must be a very boring and pathetic person."
The only way you could have found insult from my remark was by agreement with the antecedent, i.e. you really believe that "the only true path is your way, reportage work with a sleek Leica." Since that is obviously the case I do not find the insult that you perceive in any way inappropriate.
Sandy
Ornello Pederzoli II said:I just don't want analogue photography to consist only of cowboy-hat-wearing LF users who live in Wyoming and take photos of landcsapes....
lee said:It was a challenge. You made it a taunt.
take it as you wish Jerk
lee\c
Ornello Pederzoli II said:Eloquence, dear sir, enobles everyone...
Jorge said:One more time...repeat after me...ignore list...
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