Help me out here, my mind has gone blank on this. If I shoot a square 120 image with a standard lens, let's say 80mm, and I crop top and bottom to make 3:2 ratio landscape image, have I done the equivalent of putting a wide angle lens on the camera?
No, you've done the equivalent of shooting with a 645 camera. The standard lens for 645 is also 80mm.
No, what all of them said.
Yes, "No, what all of them said"
Yes.Yes, "No, what all of them said"
No, you've done the equivalent of shooting with a 645 camera. The standard lens for 645 is also 80mm.
Okay, thanks. So I assume that as long as the landscape dimension remains at 60mm, the portrait aspect could be tiny (let's say 10mm), and it would still be a standard 80mm lens shot.
If an image is cropped inside the frame, it's the equivalent of changing the lens for a longer one (I mean field of view equivalent, I know it doesn't have the same optical effects), but if the longest dimension is maintained it will always be the size of the original lens. I had to get my head around why a focal length effect could be longer but never wider.
No, you've done the equivalent of shooting with a 645 camera. The standard lens for 645 is also 80mm.
Is a panoramic image the same as a wide angle image?
Changing focal length changes the relationship between near and far objects. Cropping does not.
Actually, it is only a change in the photographers position that changes the relationship between near and far objects.
I had to get my head around why a focal length effect could be longer but never wider.
All makes sense. A wide angle lens does not neccesarily distort a face -- the nose only seems bigger because one moves in much closer for the same headshot as a longer lens.
Help me out here, my mind has gone blank on this. If I shoot a square 120 image with a standard lens, let's say 80mm, and I crop top and bottom to make 3:2 ratio landscape image, have I done the equivalent of putting a wide angle lens on the camera?
I raised the topic because I'm doing more 120 than for a while, and the square is sometimes a help (portraits) and other times a burden (everything else). There seems to be a technical answer and an instinctive one. Technically, a focal length remains the same whatever ratio you print at, but emotionally a long print suggests wideness because it has to be visually scanned.If you want a simple solution, just mark your focusing screen with 3:2 ratio lines. For years I never liked the square format. 30 years ago when I had to decide which 2 1/4 system to go with. It was either Mamiya RZ or Hasselblad. I thought Hasselblad wasn't for me because I'd crop most of the image. I shot with my RZ for decades and as I get older, the thing is getting heavier. How I want a Hassy. I usually compose my shots looking edge to edge and I rarely crop.
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