In the "old" days the photographic print shown to a jury had to be physically linked to a particular negative, in turn to a particular camera, time, and place. Legal council could demand that these links be proved before the crime scene picture could be admitted as evidence.
Now that the system has gone digital the question of physical links has been put aside. All that is required to authenticate a crime picture is that some breathing and conscious human being has to get into the witness box and swear "Yep, that's the way it was." The crime scene picture has passed in substance from being evidence to becoming mere testimony.
Having had a certainb degree of involvement with CSI photography (We used to call it Scenes of Crime in UK) the most difficult and time consuming task is to ensure the continuity of the evidence. By this I mean, the person who took the photograph had either to process the film to make the negative himself or hand it to a lab assistant to do on his behalf. Then there was the additional task of proving by way of statements what he, the photographer and the lab assistant did before the developing and what happened to the negatives afterwards.
You had to prove beyond reasonable doubt that the negatives were not tampered with in any way. Now with the advent of the 'new' process this is even more important because the images (note - not negatives) can be so easily altered on a computer. It must be the exhibits officer worst nightmare to keep them secure.
People such as Weegee would not even be allowed to get near to a scene and if he did, if the picture he took compromised the investigation, the film would be siezed. I never came across anyone like him but I know of a situation where the scene was compromised by a news photographer despite a warning. The 'gentleman' was sent to prison for a short while for perverting the course of justice.
I ceased to have any involvement with scenes of crime photography in the early part of the new century, but yes in 2000 there was a conviction in UK for a serious assault thanks to a fellow photographer being able to demonstrate the severity of the injuries which the defence tried to pass off as 'trivial'. (It involved heart surgery as a result of the attack). The suspect received 12 yrs 'inside'. That was photographed on a medical Nikon using colour film both after the event and in hospital during the operation. 5 years later 'the other medium' would have done the same job equally as well but the continuity of evidence would have had to be EXACT. There is no margin for error.
Amusing. Unfortunately for that line of thinking, digital "continuity" is easy to track....as we see regularly with police bodycam videos. Nothing is more precise than digital data.
Sorry JTK, but this is totally untrue.
PE
In the early 80s I saw a Bertillon chair in a belgian police station.
I wonder when these chairs were phased-out.
Amusing. On the other hand, has any crime been solved or sentence passed in the last decade or two thanks to film..vs you-know-what ?
Police bodycams in the UK are sealed and the evidence is almost impossible to tamper with. The evidence trail is complete as far as the officer is concerned when the recording is downloaded by someone who is competent to do so. ANYONE who handles the download afterwards will have to prove that they did not alter the recording. That is basic procedure.
With film, the person who processed the film and has control of it will have to make a statement confirming that the processed film is in his possession and control and the negatives have not been altered in any way. Quite simple really. It really is very difficult to alter negatives without leaving evidence of tampering. With digital recording from whatever source is a minefield as it is so very easy to do. Irrespective of any record of control.
Police bodycams in the UK are sealed and the evidence is almost impossible to tamper with. The evidence trail is complete as far as the officer is concerned when the recording is downloaded by someone who is competent to do so. ANYONE who handles the download afterwards will have to prove that they did not alter the recording. That is basic procedure.
With film, the person who processed the film and has control of it will have to make a statement confirming that the processed film is in his possession and control and the negatives have not been altered in any way. Quite simple really. It really is very difficult to alter negatives without leaving evidence of tampering. Examination of a negative using a microscope would show if any mischief that had taken place.
To be honest in 20 years, I cannot ever remember photographic evidence ever being challenged.
While film records are no-doubt useful, I suggest that there are NO examples of reliance on film, as opposed to digi, among forensic professionals today.
Non-digital folks might imagine it difficult to confirm tampering with digital records, but that kind of highly detailed analysis and confirmation is routine today and doesn't even require physical presence of the professionals doing the digital confirmation.
If a police forensic photographer relied on film today, given the demise of virtually all local professional photolabs, it would be professional malpractice.
To preserve integrity of the image never ever did the film used in crime scene go out to professional labs to be processed. That would introduce another link in the chain that would have to be proved. All police scenes of crime departments operated their own laboratories in both B&W and latterly colour.
No where in the thread did I say that film was best for recording evidential material but with digital it just that little bit harder to keep the continuity intact. I do believe there is software that will record every time that a file is opened and especially where image enhancement has to be done, every step is recorded but this is only carried out by someone who is trained and competent to operate it and that is accepted as secure. Don't forget photography can be used to prove a persons innocence as well a guilt.
Amazing they have enough room on their belts with the rest of the paraphernalia they carry.All police commanders in my city have carried DSLRs for high quality stills for a very long time.
Amazing they have enough room on their belts with the rest of the paraphernalia they carry.
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