markbarendt
Member
Okay, so I was listening to NPR and they interviewed John Mellencamp.
This is part of the transcript
Had to giggle because there's a ring of truth in that. The skills that I'm good at have been honed over years.
I see in new photographers passion and wonder, but almost everything is an accident, like the younger Mr. Mellencamp, volume, large numbers of takes are needed to get something good. He is essentially admitting that he wasn't that good at his craft back when.
Over time, if we stick with it, we can become skilled in any craft and a single take becomes plenty to get something.
For me now, not having to worry if my exposure is workable or not, or how to get a certain effect, and all that jazz is freeing. I can think about an idea instead instead of the machine.
Kinda fun growing up.
This is part of the transcript
What struck me was the "of course we can play now, too" quip.INSKEEP: Mellencamp traveled around with old reel-to-reel tape machines from the 1950's. He brought his band to an old Texas hotel, where the 1920's bluesman Robert Johnson once recorded. He even recorded at a historic black church in Savannah, Georgia. Because of the simple recording, producer T-Bone Burnett had no way to mix the sound of different instruments, or different versions of a song. They just had to be right.
Mr. MELLENCAMP: There's no, you know, half of this song here, and half of that song there. Everything was one take. Every performance was the way it was played, from beginning to end. T-Bone and I both laughed at I said, T-Bone, what the hell were we doing in the '80s?
(Soundbite of laughter)
Mr. MELLENCAMP: Why did we record these songs over and over and over and over again? When I was a kid I recorded the song "Hurt So Good." And we cut that track a hundred times, but first of all because we couldn't play and we never could get the rhythm to work. And you know, so we just kept playing it, da, dun, dun, dun, we couldn't get that part right, you know, so we just kept over dubbing and playing and over it. And it was like, I would never, as an adult make a record like that again after this experience. Why? Because this was so much more musical and so much more fun than actually - of course, we can play now, too. That helps.
(Soundbite of song, "Save Some Time To Dream")
Mr. MELLENCAMP: (Singing) Save some time to dream. Save some time for yourself. Don't let your time slip away or be stolen by somebody else.
Had to giggle because there's a ring of truth in that. The skills that I'm good at have been honed over years.
I see in new photographers passion and wonder, but almost everything is an accident, like the younger Mr. Mellencamp, volume, large numbers of takes are needed to get something good. He is essentially admitting that he wasn't that good at his craft back when.
Over time, if we stick with it, we can become skilled in any craft and a single take becomes plenty to get something.
For me now, not having to worry if my exposure is workable or not, or how to get a certain effect, and all that jazz is freeing. I can think about an idea instead instead of the machine.
Kinda fun growing up.
