Gerald Koch said:Not only does it call for potassium carbonate but potassium carbonate, sesquihydrate. The reason, given by Crawley in either the original BJ article or as a later note, is that the sesquicarbonate contains some potassium bicarbonate which acts as a buffer.
However, there is a modification of unknown origin known as FX-2K which uses a B solution containing 97.5 g/l of sodium metaborate. This is said to produce somewhat smoother tonality with a slight loss of acutance.
BradS said:Why does FX-2 call for Potasium Carbonate instead of Sodium Carbonate? Could one substitute Sodium Carbonate for the Potasium Carbonate in the formula? At what ratio? and with what effect?
TIA.
Usually this is the reason for potassium salts being used rather than the sodium ones. However, in the case of FX-2 there is no solubility problem with the amount of carbonate needed in the developer. Potassium alkalies are somewhat more active than the sodium ones in photographic developers and this may be the reason why it was used in the original formula.Tom Hoskinson said:Potassium Carbonate is more soluble than Sodium Carbonate so you can make a more concentrated stock solution with Potassium Carbonate.
Gerald Koch said:Usually this is the reason for potassium salts being used rather than the sodium ones. However, in the case of FX-2 there is no solubility problem with the amount of carbonate needed in the developer. Potassium alkalies are somewhat more active than the sodium ones in photographic developers and this may be the reason why it was used in the original formula.
Gerald Koch said:Usually this is the reason for potassium salts being used rather than the sodium ones. However, in the case of FX-2 there is no solubility problem with the amount of carbonate needed in the developer. Potassium alkalies are somewhat more active than the sodium ones in photographic developers and this may be the reason why it was used in the original formula.
The amount of buffering would depend on the amount of potassium bicarbonate present. This would not be very large if the potassium carbonate is of reasonable purity.Lachlan Young said:I seem to remember a comment that crystalline Potassium Carbonate had some degree of buffering - is this correct?
Thanks,
Lachlan
Tom Hoskinson said:I get excellent results (with Kodak TMAX, Ilford Delta and EFke) with low fog levels.
Lachlan Young said:Tom,
What sort of development times do you get with the Efke films at 20C?
Thanks,
Lachlan
Tom Hoskinson said:I've had good results with the following variation on Ole's method:
EFKE 100, 50 & 25 With FX-2, diluted 1:1 at 20deg. C, gentle agitation for the first minute, then stand for 20 minutes without agitation, followed by gentle agitation for 30 - 40 seconds, stand for 20 minutes without agitation, followed by gentle agitation for 30 - 40 seconds, stand for 20 minutes without agitation, total time about 60 minutes.
I define gentle agitation in a small tank as gentle inversion of the tank while smoothly twisting or rotating it.
One reads the most outrageous drivel on the net.BradS said:BTW: elsewhere on the 'net somebody has made the assertion that Metol was Glycin was basically the precursor to Metol and that Metol was superior. I took this with the usual dose of sketicism but...???? What of it? any ideas or further opinions on the matter?
The 1971 Dignan Newsletter published a sodium carbonate version of Crawley's FX-2.
See the APUG Chemical Recipes: (there was a url link here which no longer exists)
Oh, BTW: elsewhere on the 'net somebody has made the assertion that Metol was Glycin was basically the precursor to Metol and that Metol was superior. I took this with the usual dose of sketicism but...???? What of it? any ideas or further opinions on the matter?
Oh, BTW: elsewhere on the 'net somebody has made the assertion that Metol was Glycin was basically the precursor to Metol and that Metol was superior.
Does anyone have the Dignan formula handy? The above link doesn't work.
Here is the FX-2 working solution formula that I am using. I got it directly from Patrick Dignan in 1970
Thank you!
Can I ask what films you've tried and if you have some starting development times? A group of us are getting ready to run some tests on some films.
Ed
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