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It seems none of the eBay sellers mention the masked size of the 5x7 area. Since I haven't used one of them I don't know what to look for since searching 5x7 4x6 doesn't seem to do me any good."Best" really depends on your taste. I have a Saunders single-size 8x10, that I like, some people like speed easels which are also single-size (i.E. you need a separate one for each size). There are speed easels (Speed-Ez-el's) for just about every common print size that exists.
For versatility with smaller sizes, it's hard to beat the double-sided "5 in 1" easels, they are 8x10 on one side and 5x7, 3.5x4.5 and 2x3 on the other side. They were made by several makers, and the 2 smallest sizes might vary a bit. They are quick to use, and easy to store.
When I use one of these single sized easels I put it on top of my big 4 blade to save some moving and storing the big one.
set the blades so your 5x7 is in a corner. i had the same problem on my sons b22. mark the easel where the paper lines up using electric tape so you can feel an edge to put the paper against. also tape the blades so they dont drift out of alignment.
Mine are behind.Beslers can be setup with the supports in front and behind the main frame from memory. I had mine setup without the extra supports and I just tied it to the wall/shelving directly to save bench space.
I think the basic design did since everything else with the hinging and rivers are rock solid. There is no wiggle room at all on it.Quarter inch boarders are the traditional norm, so that's what you will likely find with any preset easel. All easels suffer from the same alignment mechanics, that is, a base holding the paper and some kind of frame hinged to it that masks the paper edges. Drops, wear, and just the basic design will take their toll. No easels are perfect or stay perfect without some adjustments and tuning, though some will do better than others.
hmmm... to get the setup i'd that i'd be happy working with, i'd consider attaching the enlarger to a bigger baseboard - it would provide more stability and checking alignment should not be a problem. am i missing something?
It seems that the "too big" remark refers to fitting the four-blade easel in the space between the vertical centre of the lens, and the fromt part of the enlarger column. Making the baseboard larger will not affect the distance between the lens and the column. Possible workarounds are to mount the paper nearer the back of the easel or (for easels with a very wide hinged side) turn the easel through 180 degrees or to use a two-blade easel or a single-format easel.
. . ., but with the 5x7 I cannot get it into position under my Beseler 23c I bought. I really wanted to do various small prints.
Just setup my 80mm. Just barely fit now on the 5x7. Probably still use the corner of the 8x10 though if I need to crop. But this does give me that flexibility now.Use a longer lens? Then you get more room to work, too.
its correctI'm wondering if the op has the right lens in the enlarger for their chosen film negative as well. If they can't get the right print size on the baseboard, then it's not the easel, it's the wrong lens in the enlarger for the film format.
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