Kodak's pro studio has an RZ67 with a digital back. They proof the picture on digital while you wait and then change to the film back and shoot on Portra. BTDT.
PE
Yes, and that scenario works for Portraits, but this is not a viable solution when shooting product photography on film, as the digital backs do not cover the whole film frame, and with product and multiple-product still life-type shots one composes to fit the whole frame for maximum quality.
Now, if digital is your desired final result, then the sensor size doesn't matter so much.
You still can use the instant Fuji Films which anyway are better!
I don't use Polaroid, that is I used it few times with my cheap 600 type camera, but not much. And I do have Polaroid back for my Mamya RB, and now it will collect dust(Ok, there is Fuji). For me, thing is next: I would prefer Ilford (Harman) to safely continue to make its b/w and Ilfochrome products, rather than get into Polaroid film making experiment and put in danger their "original" products and/or company.
Harman don't make Ilfochrome, unfortunately - that's still the 'old' Ilford...
Haris,
You make me dizzy...
There is IlfordPhoto and there is Ilford Imaging.
There is the Harman group and there is the Oji Paper group.
And there is, and will be, Polaroid.
(maybe this will make one dizzy too...)
Addendum:
I now realize that with Ilfochrome you meant just the halide colour materials.
But did not IlfordPhoto not that long ago stated that they wanted to stay out of colour??
Maybe the best thing, rather than going through lots of hand wringing would be to shoot some good stuff on Polaroid this year while there's still fresh stock, and make something of an event of it. Are any galleries out there going to promote any shows to give Polaroid a send-off?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?