Thanks for responses.
Forgot to mention that my lenses are in DB mounts. There are always the edges of the aperture blades just visible on this lens, and a few of my other DB-mounted lenses. I am not sure if this affects max aperture or not. I can understand why on the lenses that are faster than 5.6 and use the red screw-in 5.6 stop for the aperture control lever, like my 90mm 4.5 Grandagon. However, I could never quite understand why on the 5.6 and slower lenses. My best assumption is that this might correct for the DB mount having a slightly larger diameter than the intended Copal size diameter.
At any rate, I am going to assume f/14 max. aperture and make changes if it appears that f/14 is not quite "spot on".
Right now I have what amounts to a "reverse" C. I started with an F1, but added a P front end. This leaves me with a multipurpose standard and an extra bellows. All I have is 24" of total rail. I think I need another multipurpose standard, another bellows, and another rail extension before I can give the 620 a try. I definitely need two bellows to focus the 360 close, and imagine I would need yet another to use the 620 at infinity, let alone closer in studio. Maybe the school will let me combine their lone F2 camera with mine for each shoot where I want to use the 620 in their studio, but probably not, as they love to say no to those kinds of sensible requests. Their Sinar was a recent donation and is marked for studio use only; not for checkout.
Good thing the school at least has a camera stand so I don't have to trust this crazy getup on my Bogen 3051.
I am looking into this for use as a long lens on 4x5, not for ULF. I love the 360 on 4x5, but often want longer. Also for an 11x14 box camera I am considering building.
2F/2F