Convert Bronica ETR 220 insert to 120

Steve Smith

Member
Joined
May 3, 2006
Messages
9,109
Location
Ryde, Isle o
Format
Medium Format
The incorrectly titled pressure plate rests on some outer rails leaving a space for the film to pass between the plate and an inner set of rails. For 120 film, this gap is just a bit wider than the film and backing paper combined. For 220 film without backing paper, its just slightly bigger than the film.

If you were to add some tape or something similar to the outer rails which was about the same thickness as backing paper, this would increase the gap to allow the film to pass through without jamming.




Steve.
 

hsandler

Subscriber
Joined
Oct 2, 2010
Messages
472
Location
Ottawa, Canada
Format
Multi Format
I think Steve's reply is a good one. As an anecdotal data point, I have an SQ-A myself and I've put 120 film through a 220 back unmodified, not even tape on the rails, without issue. Sharpness seemed unaffected. The pressure plate seems to have enough give not to press too hard on the outer rail or bow the film. You just have to do several dummy exposures and wind on after each after you expose the last real frame to account for winding the backing paper.
 

brofkand

Member
Joined
Aug 9, 2008
Messages
598
Location
North Carolina
Format
Digital

This is very good to know considering 220 backs are cheaper than ever these days, now that 220 is gone.
 

TSSPro

Member
Joined
Feb 15, 2010
Messages
376
Location
Colorado
Format
Multi Format
I've done that same, however I found that my SQ A 220 inserts died so much quicker than my 120 inserts. Maybe I was getting my used stuff that was used by high volume wedding shooters, or who knows, but that was my experience. I went through about half-a-dozen of them before I gave up on Bronica 220 inserts.
 

paul ron

Member
Joined
Jan 22, 2004
Messages
2,706
Location
NYC
Format
Medium Format
when using 120 in a 220 back, the starting point is different as well. start your 120 at the very tip of the leader, not at the arrow. this will take you to the first frame as normal.
 

StephenT

Member
Joined
Jan 21, 2014
Messages
309
Location
Carolinas
Format
Multi Format
when using 120 in a 220 back, the starting point is different as well. start your 120 at the very tip of the leader, not at the arrow. this will take you to the first frame as normal.

For some reason (maybe age!) I can't seem to visualize starting "at the very tip of the leader." Isn't the very tip what you wind on the takeup spool? Sorry if this is a stupid question but I am missing something.
 

pdeeh

Member
Joined
Jun 8, 2012
Messages
4,765
Location
UK
Format
Multi Format
This chap has a possibly useful resource list on his website Dead Link Removed

As always, one has to make a judgement as to whether information found lying about on the web is to be trusted, but he seems to be talking from personal experience at the very least,

 
Last edited:

paul ron

Member
Joined
Jan 22, 2004
Messages
2,706
Location
NYC
Format
Medium Format
For some reason (maybe age!) I can't seem to visualize starting "at the very tip of the leader." Isn't the very tip what you wind on the takeup spool? Sorry if this is a stupid question but I am missing something.


start the leader on the take up spool as close as possable to the end of the tongue so it holds n not slip off the spool... yes. dont advance to the arrow line up point. just close the door n wind up to frame 1. if you start at the arrow line up, you will lose 2 frames.

do you have any backer paper to test innyour back? try it n you will see what im saying.
 

StephenT

Member
Joined
Jan 21, 2014
Messages
309
Location
Carolinas
Format
Multi Format
"do you have any backer paper to test innyour back? try it n you will see what im saying."

Ah........the picture is becoming clearer! Thanks! I do have some backer paper and will give it a test.
 

ic-racer

Member
Joined
Feb 25, 2007
Messages
16,552
Location
USA
Format
Multi Format
Glue two strips of backing paper to the outer rails.
 

paul ron

Member
Joined
Jan 22, 2004
Messages
2,706
Location
NYC
Format
Medium Format
you can also draw teh frames as tehy come into the film gate to see what your spacing will be.. it may be a bit off but thats because of the circumference difference of 220 n 120 on he take up. they wont overlap though.
 

wiltw

Subscriber
Joined
Oct 4, 2008
Messages
6,452
Location
SF Bay area
Format
Multi Format
Paul Ron said:
when using 120 in a 220 back, the starting point is different as well. start your 120 at the very tip of the leader, not at the arrow. this will take you to the first frame as normal.

Paul Ron said:
yes. dont advance to the arrow line up point. just close the door n wind up to frame 1. if you start at the arrow line up, you will lose 2 frames.


Fortunately I have kept some old sacrificial rolls of Kodak film around in both 120 and 220 format, which I could unroll in the light to make measurements

120:
  1. Start mark (arrow tips) is 247mm from the tip of the backing paper.
  2. Film is attached to backing paper 430mm from the tip of the backing paper.
  3. Film starts 183mm from the start mark.

220:
  1. Start mark (arrow tips) is 375mm from the tip of the leader
  2. Film is attached to the leader paper 540mm from the tip of the leader
  3. Film starts 165mm from the start mark.

So one problem to resolve in any film insert conversion effort is the 18mm difference in the starting point of the film, compared to any start mark on the leader/backing paper. That point is your reference point for when you have 'run out of film' relative to the higher capacity exposure counter in 220 backs. Not sure where the statement comes from about 'losing 2 exposures' ...18mm difference in film starting point is only 40% of a 645 frame (42-43mm) of 32% of a 6x6 frame (56mm)!

If you put 120 film in a 220 back, you need to stop initially winding film 18mm before you even see the start mark! If you do not, Exposure 1 starts 18mm late, and the last frame is 18mm later than it should be...so perhaps you need to say to yourself 'Exposure 11 is my last shot', rather than Exposure 12 for 6x6 frame. But then you have short changed yourself one shot on every roll, making film 8.3% more expensive per roll (assuming 11 shots rather than 12 shots/roll) to buy and to process when loading 120 film into 200 backs.
 
Last edited:
Cookies are required to use this site. You must accept them to continue using the site. Learn more…