reading that guy's web site makes one wary of those cameras at all, especially the Russian copies -- gad, the twists and turns Contax had to go through to get past the Leica patents.
Having said that, they did make one heck of a machine -- I have a pre-war Contax II that could have gone ashore o D-Day, certainly looks it, and it's still ticking along, although I don't stress it.
Zeiss still did not copy Leitz when the patents were compromised. From the Contax I to Contarex they demonstrated that the camel was a horse designed by committee.
But a ContaxII or its FSU clone - Kiev(Kneb) will still take photos.
I've had a Contax IIIA (black dial) since I was in high school and it still works fine after only one CLA around the time I inherited it in 1969. That being said, it's about time for a tune up and I've been on zeisscamera's list for two years so far, but it seems like it will take at least ten more for my turn to come. Meanwhile, the camera is still in use with a fully functional meter and is only slightly slow on the low speeds. I would suggest that fairly regular exercise of the shutter over the decades has been the factor most responsible for the longevity of this camera. Sitting around in a closet would have gummed it up long ago.
reading that guy's web site makes one wary of those cameras at all, especially the Russian copies -- gad, the twists and turns Contax had to go through to get past the Leica patents.
Having said that, they did make one heck of a machine -- I have a pre-war Contax II that could have gone ashore o D-Day, certainly looks it, and it's still ticking along, although I don't stress it.
Soviet, not Russian. Kiev is and was in the Ukrain.
I have two of the Kievs and four Soviet lenses. The 50/2 J-8 behaves just like a coated version of the Zeiss original. The 35/2.8 J-12 ditto. I've never used the prewar 85/2 Sonnar for Contax, but my 85/2 J-9 is a lovely lens. The Helios 103 is a pretty generic double Gauss, sharp and with good contrast after I painted the aperture blades. The two bodies have accurate shutters, wonderful rangefinders, and great build quality. I owned and used a Contax II for years, replacing the shutter ribbons myself before the internet, so I think my evaluation of the potential goodness of a Kiev has some weight.
Henry Scherer spouts a lot of BS and he's dead wrong about a few things.
I think what everybody overlooks is the amazing resiliency of the original Contax II design. The Kiev cameras work quite well and when you understand the admittedly low quality of assembly and the many changes done to simplify and cheapen assembly, I have to believe the Contax design is actually very good. Again, I kind of suspect the Leica publicity machine when the claims are made of all the twists and turns that were required by Zeiss Ikon in order to avoid the Leica patents and to build another quality 35mm camera. I think the truth of the matter is that there are many ways to achieve the same goal, and the first one out the gate does not necessarily patent all the correct ones.
The Contax design is not all that tough to understand. It works and it works very well whether it was built in Germany or in Ukraine. The Contax had many advanced and successful features that Leica worked hard to match with their M3 camera. Zeiss Ikon went out of business in the West for many reasons that had nothing to do with the strength of their designs and the quality build of their cameras.
Of course all of this applies to the Contax. Somehow I'm not all that sure that the Contarex was that reliable, though it was an amazing camera with great glass.
Zeiss' goal was to make the best camera in the world, avoiding patent infringement was a necessary facet of that. Virtually every feature of the Contax II was intended to be better than the Leica.
As for the "admittedly low quality of assembly", I haven't noticed it in my two Kievs. Gears are nicely cut, friction points are polished, screws fit their tapped holes nicely, the light baffles Zeiss employed are present, etc. etc. If you get a good Kiev - and QC did take a nosedive starting in the mid 70s or thereabouts - and treat it like a Contax, it will as far as I can see be as reliable as a Contax. My 59 4a which has been overhauled with modern lubricants has been with me most days since I got it last January. It works in the cold, too. My '69 4 has never been worked on, it doesn't work at all much below 45-50f. 45 year old lubricants will do that - however the built in meter works accurately, and at room temperature it runs like a champ.
I should probably have been a bit clearer. The early Kiev was certainly considered a quality camera. Mine was built in 72 and I don't think I have heard anyone say the quality improved as production went on. That being said however, mine is actually working very good and does not appear to have been serviced recently. Based on my present experience you seem more correct regarding quality of construction then am I.
I think what everybody overlooks is the amazing resiliency of the original Contax II design. The Kiev cameras work quite well and when you understand the admittedly low quality of assembly and the many changes done to simplify and cheapen assembly, I have to believe the Contax design is actually very good. Again, I kind of suspect the Leica publicity machine when the claims are made of all the twists and turns that were required by Zeiss Ikon in order to avoid the Leica patents and to build another quality 35mm camera. I think the truth of the matter is that there are many ways to achieve the same goal, and the first one out the gate does not necessarily patent all the correct ones.
The Contax design is not all that tough to understand. It works and it works very well whether it was built in Germany or in Ukraine. The Contax had many advanced and successful features that Leica worked hard to match with their M3 camera. Zeiss Ikon went out of business in the West for many reasons that had nothing to do with the strength of their designs and the quality build of their cameras.
Of course all of this applies to the Contax. Somehow I'm not all that sure that the Contarex was that reliable, though it was an amazing camera with great glass.
I agree. When I got my Contax II in the 80s, there were still some older gentlemen servicing them, I bought some shutter ribbon from one in Brooklyn.
He told me that the ribbons were about all that ever broke on them and that it was sometimes a sign that the latches on the lower shutter blind were maladjusted and dragging on the ribbon where it's attached to the upper blind. Other than that, keep it clean and properly lubricated and they'd last indefinitely. My Kiev 4a has the chrome worn off the advance knob and quite a bit of wear on the pressure plate, notwhithstanding this I don't think I'll live to see it worn out.
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