This is a very beginner question, which is wierd, especially since I am not. But, when I first started b&w darkroom I proofed a set of negs through the print-file sleeves (as you can easily do), and did not like it what so ever. Every since then I've been taking my negatives out of the sleeves when it came time to proof. Does anyone else do this? Or am I just too picky? I find the negatives right on the paper produce less diffused, sharper contacts. But, I don't like handling my negatives anymore than I have to, and this is why I ask. How are you guys proofing? In sleeves, or not?
I use the Patterson proofers for 35 and 120 so I take the negs out. It makes a difference for me.This is a very beginner question, which is wierd, especially since I am not. But, when I first started b&w darkroom I proofed a set of negs through the print-file sleeves (as you can easily do), and did not like it what so ever. Every since then I've been taking my negatives out of the sleeves when it came time to proof. Does anyone else do this? Or am I just too picky? I find the negatives right on the paper produce less diffused, sharper contacts. But, I don't like handling my negatives anymore than I have to, and this is why I ask. How are you guys proofing? In sleeves, or not?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?