transmissive or reflection densitometer? I was playing with an analyzer/densitometer at school last week. Even with the instructions(yes I understood them as they wrote them), I still couldn't really figure it out.
no matter. I mainly shoot 2 or 3 films for color neg, and b/w gets me going with 3 too (efke 25, acros 100 and TMY-2) all in all formats (35mm-4x5)
the real advantage of a densitometer from what I've found and heard is in more of a studio environment, where you have the same film being shot every day(generally from the same emulsion), being printed to the same paper(same emulsion), and you have 3-4 different backgrounds, all of which are somewhat color neutral, yet pleasing to the eye. You use the same rough setup for lights(2 softboxes, and a separation light or 2).
repeatable actions in every step lead to repeatable results.
but this has been eclipsed by the new generation of densitometers, ones being used to calibrate inkjet printers and the monitors used to edit on. So, instead of programming your densitometer for a film/paper combo, you're creating a profile(program) for a specific combination of paper/ink and the computer/monitor hooked up to it.
same thing pretty much, but a little more finicky IMO with the digi stuff.
-Dan