Deryck
Member
- Joined
- Jan 24, 2008
- Messages
- 29
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Hi all,
I have recently married a standard 150 watt "BESELER 45MX" condenser lamphouse, to the negative stage of a rescued "DEVERE 504" enlarger. (the colorhead on the DEVERE was missing).
Both condensors on the BESELER are at the standard fixed distance from each other in the BESELER lamphouse, and the lowest condenser on the BESELER is about 1 centimeter (1/2 inch) above the negative plane on the DEVERE, and is attached directly to the DEVERE negative stage without the use of the normal intervening bellows between condenser housing and negative stage. (Please see the attached jpg file)
Film coverage is Ok, and was easy to check. But would anybody out there know of an empirical method of testing this setup to check whether the condensers are giving the optimum illumination for a 4x5 film format?.
Thanks for your time.
Deryck
I have recently married a standard 150 watt "BESELER 45MX" condenser lamphouse, to the negative stage of a rescued "DEVERE 504" enlarger. (the colorhead on the DEVERE was missing).
Both condensors on the BESELER are at the standard fixed distance from each other in the BESELER lamphouse, and the lowest condenser on the BESELER is about 1 centimeter (1/2 inch) above the negative plane on the DEVERE, and is attached directly to the DEVERE negative stage without the use of the normal intervening bellows between condenser housing and negative stage. (Please see the attached jpg file)
Film coverage is Ok, and was easy to check. But would anybody out there know of an empirical method of testing this setup to check whether the condensers are giving the optimum illumination for a 4x5 film format?.
Thanks for your time.
Deryck