Tom Hoskinson said:Delta 100 does not respond well to N+ and N- development. If you are into that mode of photography, you would be happier with Ilford FP4 or Efke 100 IMO.
roteague said:I probably should have pointed out that I don't have the facilities to do my own development, so I will be sending it out for developing. That means I won't be doing any N+ and N- type of development.
Thanks,
Tom Hoskinson said:Robert, in that case I would look for a lab that processes in Xtol (closest commercial developer to Gainer's PC-TEA). Just my personal preference.
PJC said:Delta 100 is a very nice film, don't hesitate using it.
Regards, Pete
Tom Hoskinson said:Delta 100 does not respond well to N+ and N- development. If you are into that mode of photography, you would be happier with Ilford FP4 or Efke 100 IMO.
PJC said:Sandy King wrote: "Wonder why are experiences are so different?"
That's my experience and question too. Tom, I've also used Delta 100 to create AZO prints on G2 paper under low and high contrast conditions. Curious, what developer you were using with Delta? Weird.
Regards, Pete
Jorge Oliveira said:I'm waiting for cans of Delta 100 and 400 I've purchased at Ebay, never used them before.
But from my past experience with TMX, it's very easy to blow highlights with tabular grain films.
Could this be the reason?
Jorge O
PJC said:I have a 30x40 print that was made from a Xtol developed 4x5 Delta 100 negative. Everyone that sees it is amazed by it, because it has the complete range of tones, wonderful shadow & highlight (snow) detail and you can put your nose to the print and there is no hint of grain.
Delta 100 is a very nice film, don't hesitate using it.
Regards, Pete
Tom Hoskinson said:Blown highlights were my problem, Jorge.
sanking said:But if this is the case it indicates that the negatives were developed to a very high CI, which suggests that the film has excellent expansion capability but that development was too long.
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