If you don't have crossover (highlights with one cast, usually magenta, and shadows with the opposite, usually green, and can't be corrected out with filters or software), color cast is more likely to be the scanner/scanning software than the development. Crossover comes from differences in amount of development of the color layers in the film, so (for instance) the cyan (bottom) layer gets a lower contrast than the magenta, while yellow (top layer) gets the most.
Can you show a picture of a strip of your negatives, please.
Something like this.
View attachment 259228
I'm going to chime in, you can ignore me if you'd like.
I had the same issue for a while. I could not figure out what the problem was. Development was at 102, I used a souse vide and everything. But my colors were wrong.
I raised the temp by 2-3 degrees to compensate for the drop and it worked. I was told it was my post, my method, everything. It turns out when I erred on a higher temp my film would come out far better.
Scan from development at 102
Second photo was developed using a wrung out kit and still came out better then the fresh development of photo one. And to get the 102 photo to look even close to good took a lot of post. Photo 104 was a quick edit.
Hello! I just tried developing a new batch, increasing the temperature and sadly colors still feel off. I increased the time of the development 30 more seconds and blix 30 more seconds but it does not seem to affect.
Im thinking maybe its because I agitate using the rotation stick and not the inversion method and that somehow affects the development process.
I guess Ill get a bunch of test rolls and just start trying random stuff (increasing temp, extending times, more agitation and so on) and recording the results.
Heres 1 shot:
Original Scan:
View attachment 259706
Edited Result:
View attachment 259707
Also, I dont think its the scanner, I dug out an old negative developed by a lab and scanned it with the same settings I used on the new ones and it needs little to no edits:
Lab developed (scanned with same settings and scanner as others):
View attachment 259705
Im a bit frustrated that Im not getting results like the 2nd picture of Cholenpot, but I really appreciate everybodys feedback and interest. Ill share the test results as soon as I have them in case its usefull to anybody here!
This does seem to be causing problems looking at the dense edges and lower density center part of the film. Not sure if it's the only cause of your problems (I think something else might be going on as well), but I'd try a different agitation method.Im thinking maybe its because I agitate using the rotation stick and not the inversion method and that somehow affects the development process.
The main question is: did you have to adjust the slope of individual color channels after inversion, or just their height? Is there color crossover, or just different color balance?I threw one of your negative scans into photoshop and inverted it then adjusted in LR. While it's very low rez I think something is off with your scanning and post adjustment.
Cholentpot, would you mind divulging the stock used on the 104 degree still life? Your results have me second guessing my own processing! Really excellent.
The main question is: did you have to adjust the slope of individual color channels after inversion, or just their height? Is there color crossover, or just different color balance?
Can you find out, whether this "photoshop action from iamthejeff" adjusts contrast, or just color balance? Color balance adjustments are expected, but color cross over would indicate a color development error.I use a slightly modified photoshop action from iamthejeff. Photos go back to lightroom after for post adjustment. Files are massive.
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