as if the second high contrast coating layer of the multigrade paper had these defects, but not the low contrast one.
It's much more likely that some tiny spots of (dilute) fixer on you, your clothing or the general environment got on the paper. It doesn't need to be working strength to have the effect seen.
As to my processing:
- I always agitate the prints every 15-20 seconds during a 4 minutes development time, so failed development caused by (part of) a print floating dry on top of the developer, is essentially excluded.
- The very rare cases where I have multiple prints in the developer tray, I always put them back-to-back (front-to-front) to prevent the RC prints from sticking to each other.
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It's unusual to agitate paper intermittently.
Have you tried continuous agitation to see if that makes a difference?
4 minutes seems a long time for development.
That's not correct. A scratch all through the image density may result in a black mark on the print. Scratches that are more superficial and especially on the non-emulsion side of the film tend to show up as white as they scatter light.But a scratch on the negative's emulsion should result in black, not white spots.
This is not the case, fortunately.the fact that getting really fresh new developer here in the Netherlands, is not so easy
As to the dotted-line defect: it doesn't look like a coating issue to me. Coating issues of repeating nature more likely occur in straight lines. They tend to not wander about erratically. The first thing that comes to mind is a trail of calcium drying spots left by a droplet of water finding its way down the length of the film as it dried.
I don't know what the big spot is. It's conceivable that you're contending with an air bubble that didn't dislodge due to your very minimal agitation routine. You might try a more conventional approach to print development.
That's not correct. A scratch all through the image density may result in a black mark on the print. Scratches that are more superficial and especially on the non-emulsion side of the film tend to show up as white as they scatter light.
This is not the case, fortunately.
Take a scrap of paper and expose it to an even light for long enough to give you a mid-tone when develped normally.
Develop that scrap as part of your printing session.
Examine it for the same issues.
One thing I will at least try to do, is a reprint of the mother and daughter photo, and see how it turns out. It will at a minimum reveal or exclude an issue with the negative.
That's a good idea; if the same spots appear in the exact same place, you know it's the negative.
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