I'm just guessing here, but cloth is probably easier to manufacture than a metal foil shutter making it cheaper. It probably has a lower mass allowing faster shutter speeds. And, cloth probably withstands minor abuse better than metal. But, these are just guesses.
My M6 Shutter has burn holes in the curtain. I did it so it is certainly my own fault, but it got me thinking about the Leica camera mystique. How is it possible for people to claim that the Leica camera is so reliable when it doesn't take much to burn holes in the shutter. Face it, the solution to this certainly is not new technology. My Contax II has shutter curtains that won't burn and it was built in the mid-30s.
I'll certainly get the curtains replaced, after all it is a decent little camera. But my erroneous presumption of excellent build quality has taken a serious hit. I know that I will be using my Zeiss Ikon a whole lot more going forward. At least I won't have to worry about the shutter curtains holding up.
So the point behind this little post is this. Why has Leica insisted on staying with the cloth shutter all this time? They know it is very susceptible to being burnt. Is this only a way to keep their technicians happy or was there a real reason behind keeping this shutter on the camera all this time? They are no more accurate than other types of shutter. Theoretically they are quieter in operation, but compared to just about any leaf shutter they sound like a gun going off in a quiet room. So why persist when other, more durable shutters were available?
Always puzzled me, too. I bought a mint late Nikon F from an elderly friend a few years ago and still see its titanium foil shutter as a minor miracle. Couldn't separate him from his SP rangefinder which was the first(?) use of titanium for a shutter, according to him. A very sweet classic RF camera.
On the Leica mystique:
A Critic at Large: Candid Camera : The New Yorker
Thanks for the link CGW. The author is certainly a romantic but he(she?) does a terrific job of describing that mysterious "something" that defines the Leica. To some degree that author is right. I try hard not to like the camera, but as much as it peeves me that it still sports a shutter curtain that is so easily and quickly destroyed, I do like using the camera.
But I am convinced that much of the attraction is based on the cult surrounding the camera. It is certainly a good camera but there are others out there that are excellent cameras in their own right. The Contax, the Zeiss Ikon, the Bessa Rs, all of them are very capable cameras, probably deserving their own "cult." But that won't happen. Too bad, at least their shutter curtains are more durable.
Yeah, but that won't last. Holga will get smart and come out with a $2,000 Limited Edition Holga with gold plated printing and Holga will instantly be in and the Leicas will be sitting on the closet shelf.
My Pentax LX has a horizontal, cloth shutter and it goes as high as 1/2000 seconds, so I know that much can be done. But I do believe that higher speeds will require that the shutter at least run in the vertical (shorter) direction, though I suspect that could still happen with cloth.
Noise is certainly an issue. The Leica cloth shutter is quiet and there are probably sound studies out there to prove how quiet it is. But the metal shutter in my Contax II is very quiet as well. The slow speed mechanism can contribute to the noise on the slower shutter speed but that happens in the Leica as well. My Zeiss Ikon shutter, which is metal, is very quiet but the sound is certainly different.
I have always suspected that the cloth shutter was quite a bit less complex then the metal shutter which reduced the cost to manufacture, but you sure wouldn't guess that based on the cost of the camera.
More to my point however is the reliability. To my way of thinking a cloth shutter in any rangefinder camera, particularly one that sells at Leica's price point, is a very weak link in an otherwise well constructed camera. I mean I can understand it from a design perspective during the Barnack years. To change shutter construction in that camera would have been difficult. But they made the change to the M3 in 1954, for sure by then the weakness of the cloth shutter was very well known. They could easily have made the change at that point. Instead it persists to this day being manufactured in the M7 and MP. The digital cameras finally have a different shutter design, so we know it can be done, but the other two still soldier right along with that same cloth shutter.
Why?
One thing though, cloth curtain is very tough my brother once try to break it but couldn't. Try to stick your finger in one of those titanium shutter and it's gone.
cloth keepsit quiet. fire-proof was not part of the specification. that belongs into the category of 'un expected customer abuse'.
how do people burn holes into shutters?
how do people burn holes into shutters?
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