Does anyone have any experience with clearprint 16# drafting vellum in rolls, and a better presoak than 4% oxalic acid? I do not want to size the vellum with starch or gelatin -- I want the vellum's hard, bright surface along with the potential to transparentize the paper should I later so choose.
My Texas Chrysotype process (ammonium ferric-ferrous oxalate+10% Au) prints out beautifully on precut sheets of Clearprint 16# drafting vellum; however, chopping my own sheets off a 20 yard roll, for a print larger than the 6.5x8.5 contacts I usually make, I have encountered two problems (one of which I already solved):
- Gold prints out red (like a Chrysotype S) instead of gray scale like a Texas Chrysotype (for which paper should be bone dry, not humidified). (Solution: presoak the paper in 4% oxalic acid. This gave rise to a new problem: in any first acid bath no matter how weak the print quickly darkened almost to black. Water turned it a ghastly blue-purple. Solution: switch to an alkaline bath, in this case ~.06% bleach.)
- Contrast is quite low with weak Dmax. Working on solution for this over the weekend.
I suspected my AFFO left over from paper tests I conducted in January had decayed too far. I tested that theory by mixing up a quick Ziatype+ -- palladium and ammonium ferric-ferrous oxalate (prepared with 8 drops of 2% ascorbate to 10 ml 40% amm ferric oxalate). That printed out better than gold, but would need a contrast boost. My test was flawed however because too little ferrous iron in the AFFO also yields poor contrast in dry print out with palladium and platinum.
Cheers