GaussianNoise said:
Yeah, I agree with you about not wanting to deal with the powdered stuff anymore. I made the same switch (from D-76 to HC-110) based upon the convenience factor alone but, have also realized how wonderfully economical HC-110 is.
Anyway, I'd be interested to hear how F-76 works out for you. Please keep us posted.
I really like HC-110. I originally got it to tame TMAX-100 highlights, and that worked out really well. Haven't shot much TMX since, though. But HC-110 really works great on 400 speed films - TX, Fuji Neo 400 and now my mainstay, HP5+. HC-110 and HP5+ go together like rum and coke. I've recently switched to dilution H (1:63) and get great results with HP5+ at both 320 and 800. Good enough results that I'm shooting more and more at E.I. 800, either to get low light shots with faster lenses, or to get a nice small aperture and high DOF shooting wide lenses (21/24/28mm FLs).
HC-110 is so flexible, it's amazing. It only "fell down" recently trying to get good results with FP4+ at dilution (H). Couldn't get the highlights under conrol, oddly enough. (B) does ok, but the development time I find works for me is kind of short (5m). Rodinal 1:50 and FP4+ looks great with consistent results and good highlight control, but I'm looking for somewhat finer grain for some larger prints (scanned and digitally printed). Hence my straying from my old faithful HC-110. F76 and Acutol are the current candidates.
Delta 100 is brand new to me. Regarding its competitors, TMX and Acros, I read that it's more forgiving and has a more traditional look tonally. So I have high hopes. Now to find a convenient developer that will do it justice. I don't mind a little grain, so I'm going to try Rodinal as well as HC-110. But I'd also like to give F76 a try. It doesn't get much coverage on the Web forums, but folks who use it seem to really love it.
We'll see.
Scott