Gray card in several lighting conditions such as direct sun, open shade, deep shade, indoor low and medium light and others that you can think of until your satisfied using both meters in each lighting situation.
Gray card in several lighting conditions such as direct sun, open shade, deep shade, indoor low and medium light and others that you can think of until your satisfied using both meters in each lighting situation.
checking and comparing it iseasy with agray card and 'sunny 16' but calibrating it (other than noting and accounting for any deviation) requires hardware surgery; meaning not so easy.
Set the gray card in a lighting condition, meter with both meters, reading should be within 1/2 stop each other. A 30° or 15° averaging meter may need to be closer to the gray card than a 1° spot to eliminate extraneous scene light without casting a shadow on the card.
But you do need a large evenly lit surface because the 2 meters have different angle of acceptance. 1 degree vs 40 degrees for the autometer IVF. Preferably a neutral color surface not red or blue etc..
checking and comparing it iseasy with agray card and 'sunny 16' but calibrating it (other than noting and accounting for any deviation) requires hardware surgery; meaning not so easy.
Periodically I put all of my cameras and meters up against the wall, so to speak. Actually facing an evenly lit wall. They nearly all agree within a 2/3 stop range and that's good enough for me. If I had one meter calibrated to the nth degree I suppose I could note the differences and apply an offset for the errant meters. Would it materially improve my results when I mainly shoot black and white negatives? I really don't think so.
But you do need a large evenly lit surface because the 2 meters have different angle of acceptance. 1 degree vs 40 degrees for the autometer IVF. Preferably a neutral color surface not red or blue etc..